H.P. Lovecraft - Facts Concerning the Late Arthur Jermyn and His Family

H.P. LOVECRAFT

FACTS CONCERNING
THE LATE ARTHUR JERMYN
AND HIS FAMILY

Written in 1920
First published in The Wolverine, No. 9, March 1921
Reprinted as "The White Ape" in Weird Tales, April 1924

FACTS CONCERNING
THE LATE ARTHUR JERMYN
AND HIS FAMILY

I

Life is a hideous thing, and from the background behind what we know of it
peer demoniacal hints of truth which make it sometimes a thousandfold more
hideous. Science, already oppressive with its shocking revelations, will
perhaps be the ultimate exterminator of our human species—if separate species
we be—for its reserve of unguessed horrors could never be borne by mortal
brains if loosed upon the world. If we knew what we are, we should do as Sir
Arthur Jermyn did; and Arthur Jermyn soaked himself in oil and set fire to his
clothing one night. No one placed the charred fragments in an urn or set a
memorial to him who had been; for certain papers and a certain boxed object
were found which made men wish to forget. Some who knew him do not admit that
he ever existed.

Arthur Jermyn went out on the moor and burned himself after seeing the boxed
object which had come from Africa. It was this object, and not his peculiar
personal appearance, which made him end his life. Many would have disliked to
live if possessed of the peculiar features of Arthur Jermyn, but he had been a
poet and scholar and had not minded. Learning was in his blood, for his great-
grandfather, Sir Robert Jermyn, Bt., had been an anthropologist of note, whilst
his great-great-great-grandfather, Sir Wade Jermyn, was one of the earliest
explorers of the Congo region, and had written eruditely of its tribes,
animals, and supposed antiquities. Indeed, old Sir Wade had possessed an
intellectual zeal amounting almost to a mania; his bizarre conjectures on a
prehistoric white Congolese civilization earning him much ridicule when his
book, Observation on the Several Parts of Africa, was published. In 1765 this
fearless explorer had been placed in a madhouse at Huntingdon.

Madness was in all the Jermyns, and people were glad there were not many of
them. The line put forth no branches, and Arthur was the last of it. If he had
not been, one can not say what he would have done when the object came. The
Jermyns never seemed to look quite right—something was amiss, though Arthur was
the worst, and the old family portraits in Jermyn House showed fine faces
enough before Sir Wade's time. Certainly, the madness began with Sir Wade,
whose wild stories of Africa were at once the delight and terror of his few
friends. It showed in his collection of trophies and specimens, which were not
such as a normal man would accumulate and preserve, and appeared strikingly in
the Oriental seclusion in which he kept his wife. The latter, he had said, was
the daughter of a Portuguese trader whom he had met in Africa; and did not like
English ways. She, with an infant son born in Africa, had accompanied him back
from the second and longest of his trips, and had gone with him on the third
and last, never returning. No one had ever seen her closely, not even the
servants; for her disposition had been violent and singular. During her brief
stay at Jermyn House she occupied a remote wing, and was waited on by her
husband alone. Sir Wade was, indeed, most peculiar in his solicitude for his
family; for when he returned to Africa he would permit no one to care for his
young son save a loathsome black woman from Guinea. Upon coming back, after the
death of Lady Jermyn, he himself assumed complete care of the boy.

But it was the talk of Sir Wade, especially when in his cups, which chiefly
led his friends to deem him mad. In a rational age like the eighteenth century
it was unwise for a man of learning to talk about wild sights and strange
scenes under a Congo moon; of the gigantic walls and pillars of a forgotten
city, crumbling and vine-grown, and of damp, silent, stone steps leading
interminably down into the darkness of abysmal treasure-vaults and
inconceivable catacombs. Especially was it unwise to rave of the living things
that might haunt such a place; of creatures half of the jungle and half of the
impiously aged city—fabulous creatures which even a Pliny might describe with
skepticism; things that might have sprung up after the great apes had overrun
the dying city with the walls and the pillars, the vaults and the weird
carvings. Yet after he came home for the last time Sir Wade would speak of such
matters with a shudderingly uncanny zest, mostly after his third glass at the
Knight's Head; boasting of what he had found in the jungle and of how he had
dwelt among terrible ruins known only to him. And finally he had spoken of the
living things in such a manner that he was taken to the madhouse. He had shown
little regret when shut into the barred room at Huntingdon, for his mind moved
curiously. Ever since his son had commenced to grow out of infancy, he had
liked his home less and less, till at last he had seemed to dread it. The
Knight's Head had been his headquarters, and when he was confined he expressed
some vague gratitude as if for protection. Three years later he died.

Wade Jermyn's son Philip was a highly peculiar person. Despite a strong
physical resemblance to his father, his appearance and conduct were in many
particulars so coarse that he was universally shunned. Though he did not
inherit the madness which was feared by some, he was densely stupid and given
to brief periods of uncontrollable violence. In frame he was small, but
intensely powerful, and was of incredible agility. Twelve years after
succeeding to his title he married the daughter of his gamekeeper, a person
said to be of gypsy extraction, but before his son was born joined the navy as
a common sailor, completing the general disgust which his habits and
misalliance had begun. After the close of the American war he was heard of as
sailor on a merchantman in the African trade, having a kind of reputation for
feats of strength and climbing, but finally disappearing one night as his ship
lay off the Congo coast.

In the son of Sir Philip Jermyn the now accepted family peculiarity took a
strange and fatal turn. Tall and fairly handsome, with a sort of weird Eastern
grace despite certain slight oddities of proportion, Robert Jermyn began life
as a scholar and investigator. It was he who first studied scientifically the
vast collection of relics which his mad grandfather had brought from Africa,
and who made the family name as celebrated in ethnology as in exploration. In
1815 Sir Robert married a daughter of the seventh Viscount Brightholme and was
subsequently blessed with three children, the eldest and youngest of whom were
never publicly seen on account of deformities in mind and body. Saddened by
these family misfortunes, the scientist sought relief in work, and made two
long expeditions in the interior of Africa. In 1849 his second son, Nevil, a
singularly repellent person who seemed to combine the surliness of Philip
Jermyn with the hauteur of the Brightholmes, ran away with a vulgar dancer, but
was pardoned upon his return in the following year. He came back to Jermyn
House a widower with an infant son, Alfred, who was one day to be the father of
Arthur Jermyn.

Friends said that it was this series of griefs which unhinged the mind of Sir
Robert Jermyn, yet it was probably merely a bit of African folklore which
caused the disaster. The elderly scholar had been collecting legends of the
Onga tribes near the field of his grandfather's and his own explorations,
hoping in some way to account for Sir Wade's wild tales of a lost city peopled
by strange hybrid creatures. A certain consistency in the strange papers of his
ancestor suggested that the madman's imagination might have been stimulated by
native myths. On October 19, 1852, the explorer Samuel Seaton called at Jermyn
House with a manuscript of notes collected among the Ongas, believing that
certain legends of a gray city of white apes ruled by a white god might prove
valuable to the ethnologist. In his conversation he probably supplied many
additional details; the nature of which will never be known, since a hideous
series of tragedies suddenly burst into being. When Sir Robert Jermyn emerged
from his library he left behind the strangled corpse of the explorer, and
before he could be restrained, had put an end to all three of his children; the
two who were never seen, and the son who had run away. Nevil Jermyn died in the
successful defence of his own two-year-old son, who had apparently been
included in the old man's madly murderous scheme. Sir Robert himself, after
repeated attempts at suicide and a stubborn refusal to utter an articulate
sound, died of apoplexy in the second year of his confinement.

Sir Alfred Jermyn was a baronet before his fourth birthday, but his tastes
never matched his title. At twenty he had joined a band of music-hall
performers, and at thirty-six had deserted his wife and child to travel with an
itinerant American circus. His end was very revolting. Among the animals in the
exhibition with which he traveled was a huge bull gorilla of lighter color than
the average; a surprisingly tractable beast of much popularity with the
performers. With this gorilla Alfred Jermyn was singularly fascinated, and on
many occasions the two would eye each other for long periods through the
intervening bars. Eventually Jermyn asked and obtained permission to train the
animal, astonishing audiences and fellow performers alike with his success. One
morning in Chicago, as the gorilla and Alfred Jermyn were rehearsing an
exceedingly clever boxing match, the former delivered a blow of more than the
usual force, hurting both the body and the dignity of the amateur trainer. Of
what followed, members of "The Greatest Show On Earth" do not like to speak.
They did not expect to hear Sir Alfred Jermyn emit a shrill, inhuman scream, or
to see him seize his clumsy antagonist with both hands, dash it to the floor of
the cage, and bite fiendishly at its hairy throat. The gorilla was off its
guard, but not for long, and before anything could be done by the regular
trainer, the body which had belonged to a baronet was past recognition.

II

Arthur Jermyn was the son of Sir Alfred Jermyn and a music-hall singer of
unknown origin. When the husband and father deserted his family, the mother
took the child to Jermyn House; where there was none left to object to her
presence. She was not without notions of what a nobleman's dignity should be,
and saw to it that her son received the best education which limited money
could provide. The family resources were now sadly slender, and Jermyn House
had fallen into woeful disrepair, but young Arthur loved the old edifice and
all its contents. He was not like any other Jermyn who had ever lived, for he
was a poet and a dreamer. Some of the neighboring families who had heard tales
of old Sir Wade Jermyn's unseen Portuguese wife declared that her Latin blood
must be showing itself; but most persons merely sneered at his sensitiveness to
beauty, attributing it to his music-hall mother, who was socially unrecognized.
The poetic delicacy of Arthur Jermyn was the more remarkable because of his
uncouth personal appearance. Most of the Jermyns had possessed a subtly odd and
repellent cast, but Arthur's case was very striking. It is hard to say just
what he resembled, but his expression, his facial angle, and the length of his
arms gave a thrill of repulsion to those who met him for the first time.

It was the mind and character of Arthur Jermyn which atoned for his aspect.
Gifted and learned, he took highest honors at Oxford and seemed likely to
redeem the intellectual fame of his family. Though of poetic rather than
scientific temperament, he planned to continue the work of his forefathers in
African ethnology and antiquities, utilizing the truly wonderful though strange
collection of Sir Wade. With his fanciful mind he thought often of the
prehistoric civilization in which the mad explorer had so implicitly believed,
and would weave tale after tale about the silent jungle city mentioned in the
latter's wilder notes and paragraphs. For the nebulous utterances concerning a
nameless, unsuspected race of jungle hybrids he had a peculiar feeling of
mingled terror and attraction, speculating on the possible basis of such a
fancy, and seeking to obtain light among the more recent data gleaned by his
great-grandfather and Samuel Seaton amongst the Ongas.

In 1911, after the death of his mother, Sir Arthur Jermyn determined to pursue
his investigations to the utmost extent. Selling a portion of his estate to
obtain the requisite money, he outfitted an expedition and sailed for the
Congo. Arranging with the Belgian authorities for a party of guides, he spent a
year in the Onga and Kahn country, finding data beyond the highest of his
expectations. Among the Kaliris was an aged chief called Mwanu, who possessed
not only a highly retentive memory, but a singular degree of intelligence and
interest in old legends. This ancient confirmed every tale which Jermyn had
heard, adding his own account of the stone city and the white apes as it had
been told to him.

According to Mwanu, the gray city and the hybrid creatures were no more,
having been annihilated by the warlike N'bangus many years ago. This tribe,
after destroying most of the edifices and killing the live beings, had carried
off the stuffed goddess which had been the object of their quest; the white ape-
goddess which the strange beings worshipped, and which was held by Congo
tradition to be the form of one who had reigned as a princess among these
beings. Just what the white apelike creatures could have been, Mwanu had no
idea, but he thought they were the builders of the ruined city. Jermyn could
form no conjecture, but by close questioning obtained a very picturesque legend
of the stuffed goddess.

The ape-princess, it was said, became the consort of a great white god who had
come out of the West. For a long time they had reigned over the city together,
but when they had a son, all three went away. Later the god and princess had
returned, and upon the death of the princess her divine husband had mummified
the body and enshrined it in a vast house of stone, where it was worshipped.
Then he departed alone. The legend here seemed to present three variants.
According to one story, nothing further happened save that the stuffed goddess
became a symbol of supremacy for whatever tribe might possess it. It was for
this reason that the N'bangus carried it off. A second story told of a god's
return and death at the feet of his enshrined wife. A third told of the return
of the son, grown to manhood—or apehood or godhood, as the case might be—yet
unconscious of his identity. Surely the imaginative blacks had made the most of
whatever events might lie behind the extravagant legendry.

Of the reality of the jungle city described by old Sir Wade, Arthur Jermyn had
no further doubt; and was hardly astonished when early in 1912 he came upon
what was left of it. Its size must have been exaggerated, yet the stones lying
about proved that it was no mere Negro village. Unfortunately no carvings could
be found, and the small size of the expedition prevented operations toward
clearing the one visible passageway that seemed to lead down into the system of
vaults which Sir Wade had mentioned. The white apes and the stuffed goddess
were discussed with all the native chiefs of the region, but it remained for a
European to improve on the data offered by old Mwanu. M. Verhaeren, Belgian
agent at a trading-post on the Congo, believed that he could not only locate
but obtain the stuffed goddess, of which he had vaguely heard; since the once
mighty N'bangus were now the submissive servants of King Albert's government,
and with but little persuasion could be induced to part with the gruesome deity
they had carried off. When Jermyn sailed for England, therefore, it was with
the exultant probability that he would within a few months receive a priceless
ethnological relic confirming the wildest of his great-great-great-
grandfather's narratives—that is, the wildest which he had ever heard.
Countrymen near Jermyn House had perhaps heard wilder tales handed down from
ancestors who had listened to Sir Wade around the tables of the Knight's Head.

Arthur Jermyn waited very patiently for the expected box from M. Verhaeren,
meanwhile studying with increased diligence the manuscripts left by his mad
ancestor. He began to feel closely akin to Sir Wade, and to seek relics of the
latter's personal life in England as well as of his African exploits. Oral
accounts of the mysterious and secluded wife had been numerous, but no tangible
relic of her stay at Jermyn House remained. Jermyn wondered what circumstance
had prompted or permitted such an effacement, and decided that the husband's
insanity was the prime cause. His great-great-great-grandmother, he recalled,
was said to have been the daughter of a Portuguese trader in Africa. No doubt
her practical heritage and superficial knowledge of the Dark Continent had
caused her to flout Sir Wade's tales of the interior, a thing which such a man
would not be likely to forgive. She had died in Africa, perhaps dragged thither
by a husband determined to prove what he had told. But as Jermyn indulged in
these reflections he could not but smile at their futility, a century and a
half after the death of both his strange progenitors.

In June, 1913, a letter arrived from M. Verhaeren, telling of the finding of
the stuffed goddess. It was, the Belgian averred, a most extraordinary object;
an object quite beyond the power of a layman to classify. Whether it was human
or simian only a scientist could determine, and the process of determination
would be greatly hampered by its imperfect condition. Time and the Congo
climate are not kind to mummies; especially when their preparation is as
amateurish as seemed to be the case here. Around the creature's neck had been
found a golden chain bearing an empty locket on which were armorial designs; no
doubt some hapless traveler's keepsake, taken by the N'bangus and hung upon the
goddess as a charm. In commenting on the contour of the mummy's face, M.
Verhaeren suggested a whimsical comparison; or rather, expressed a humorous
wonder just how it would strike his corespondent, but was too much interested
scientifically to waste many words in levity. The stuffed goddess, he wrote,
would arrive duly packed about a month after receipt of the letter.

The boxed object was delivered at Jermyn House on the afternoon of August 3,
1913, being conveyed immediately to the large chamber which housed the
collection of African specimens as arranged by Sir Robert and Arthur. What
ensued can best be gathered from the tales of servants and from things and
papers later examined. Of the various tales, that of aged Soames, the family
butler, is most ample and coherent. According to this trustworthy man, Sir
Arthur Jermyn dismissed everyone from the room before opening the box, though
the instant sound of hammer and chisel showed that he did not delay the
operation. Nothing was heard for some time; just how long Soames cannot exactly
estimate, but it was certainly less than a quarter of an hour later that the
horrible scream, undoubtedly in Jermyn's voice, was heard. Immediately
afterward Jermyn emerged from the room, rushing frantically toward the front of
the house as if pursued by some hideous enemy. The expression on his face, a
face ghastly enough in repose, was beyond description. When near the front door
he seemed to think of something, and turned back in his flight, finally
disappearing down the stairs to the cellar. The servants were utterly
dumbfounded, and watched at the head of the stairs, but their master did not
return. A smell of oil was all that came up from the regions below. After dark
a rattling was heard at the door leading from the cellar into the courtyard;
and a stable-boy saw Arthur Jermyn, glistening from head to foot with oil and
redolent of that fluid, steal furtively out and vanish on the black moor
surrounding the house. Then, in an exaltation of supreme horror, everyone saw
the end. A spark appeared on the moor, a flame arose, and a pillar of human
fire reached to the heavens. The house of Jermyn no longer existed.

The reason why Arthur Jermyn's charred fragments were not collected and buried
lies in what was found afterward, principally the thing in the box. The stuffed
goddess was a nauseous sight, withered and eaten away, but it was clearly a
mummified white ape of some unknown species, less hairy than any recorded
variety, and infinitely nearer mankind—quite shockingly so. Detailed
description would be rather unpleasant, but two salient particulars must be
told, for they fit in revoltingly with certain notes of Sir Wade Jermyn's
African expeditions and with the Congolese legends of the white god and the ape-
princess. The two particulars in question are these: the arms on the golden
locket about the creature's neck were the Jermyn arms, and the jocose
suggestion of M. Verhaeren about certain resemblance as connected with the
shrivelled face applied with vivid, ghastly, and unnatural horror to none other
than the sensitive Arthur Jermyn, great-great-great-grandson of Sir Wade Jermyn
and an unknown wife. Members of the Royal Anthropological Institute burned the
thing and threw the locket into a well, and some of them do not admit that
Arthur Jermyn ever existed.

THE END