I Say No
Wilkie Collins




BOOK THE FIRST--AT SCHOOL.

CHAPTER I.

THE SMUGGLED SUPPER.

Outside the bedroom the night was black and still.

The small rain fell too softly to be heard in the garden; not a
leaf stirred in the airless calm; the watch-dog was asleep, the
cats were indoors; far or near, under the murky heaven, not a
sound was stirring.

Inside the bedroom the night was black and still.

Miss Ladd knew her business as a schoolmistress too well to allow
night-lights; and Miss Ladd's young ladies were supposed to be
fast asleep, in accordance with the rules of the house. Only at
intervals the silence was faintly disturbed, when the restless
turning of one of the girls in her bed betrayed itself by a
gentle rustling between the sheets. In the long intervals of
stillness, not even the softly audible breathing of young
creatures asleep was to be heard.

The first sound that told of life and movement revealed the
mechanical movement of the clock. Speaking from the lower
regions, the tongue of Father Time told the hour before midnight.

A soft voice rose wearily near the door of the room. It counted
the strokes of the clock--and reminded one of the girls of the
lapse of time.

"Emily! eleven o'clock."

There was no reply. After an interval the weary voice tried
again, in louder tones:

"Emily!"

A girl, whose bed was at the inner end of the room, sighed under
the heavy heat of the night--and said, in peremptory tones, "Is
that Cecilia?"

"Yes."

"What do you want?"

"I'm getting hungry, Emily. Is the new girl asleep?"

The new girl answered promptly and spitefully, "No, she isn't."

Having a private object of their own in view, the five wise
virgins of Miss Ladd's first class had waited an hour, in wakeful
anticipation of the falling asleep of the stranger--and it had
ended in this way! A ripple of laughter ran round the room. The
new girl, mortified and offended, entered her protest in plain
words.

"You are treating me shamefully! You all distrust me, because I
am a stranger."

"Say we don't understand you," Emily answered, speaking for her
schoolfellows; "and you will be nearer the truth."

"Who expected you to understand me, when I only came here to-day?
I have told you already my name is Francine de Sor. If want to
know more, I'm nineteen years old, and I come from the West
Indies."

Emily still took the lead. "Why do you come _here?_" she asked.
"Who ever heard of a girl joining a new school just before the
holidays? You are nineteen years old, are you? I'm a year younger
than you--and I have finished my education. The next big girl in
the room is a year younger than me--and she has finished her
education. What can you possibly have left to learn at your age?"

"Everything!" cried the stranger from the West Indies, with an
outburst of tears. "I'm a poor ignorant creature. Your education
ought to have taught you to pity me instead of making fun of me.
I hate you all. For shame, for shame!"

Some of the girls laughed. One of them--the hungry girl who had
counted the strokes of the clock--took Francine's part.

"Never mind their laughing, Miss de Sor. You are quite right, you
have good reason to complain of us."

Miss de Sor dried her eyes. "Thank you--whoever you are," she
answered briskly.

"My name is Cecilia Wyvil," the other proceeded. "It was not,
perhaps, quite nice of you to say you hated us all. At the same
time we have forgotten our good breeding--and the least we can do
is to beg your pardon."

This expression of generous sentiment appeared to have an
irritating effect on the peremptory young person who took the
lead in the room. Perhaps she disapproved of free trade in
generous sentiment.

"I can tell you one thing, Cecilia," she said; "you shan't beat
ME in generosity. Strike a light, one of you, and lay the blame
on me if Miss Ladd finds us out. I mean to shake hands with the
new girl--and how can I do it in the dark? Miss de Sor, my name's
Brown, and I'm queen of the bedroom. I--not Cecilia--offer our
apologies if we have offended you. Cecilia is my dearest friend,
but I don't allow her to take the lead in the room. Oh, what a
lovely nightgown!"

The sudden flow of candle-light had revealed Francine, sitting up
in her bed, and displaying such treasures of real lace over her
bosom that the queen lost all sense of royal dignity in
irrepressible admiration. "Seven and sixpence," Emily remarked,
looking at her own night-gown and despising it. One after
another, the girls yielded to the attraction of the wonderful
lace. Slim and plump, fair and dark, they circled round the new
pupil in their flowing white robes, and arrived by common consent
at one and the same conclusion: "How rich her father must be!"

Favored by fortune in the matter of money, was this enviable
person possessed of beauty as well?

In the disposition of the beds, Miss de Sor was placed between
Cecilia on the right hand, and Emily on the left. If, by some
fantastic turn of events, a man--say in the interests of
propriety, a married doctor, with Miss Ladd to look after
him--had been permitted to enter the room, and had been asked
what he thought of the girls when he came out, he would not even
have mentioned Francine. Blind to the beauties of the expensive
night-gown, he would have noticed her long upper lip, her
obstinate chin, her sallow complexion, her eyes placed too close
together--and would have turned his attention to her nearest
neighbors. On one side his languid interest would have been
instantly roused by Cecilia's glowing auburn hair, her
exquisitely pure skin, and her tender blue eyes. On the other, he
would have discovered a bright little creature, who would have
fascinated and perplexed him at one and the same time. If he had
been questioned about her by a stranger, he would have been at a
loss to say positively whether she was dark or light: he would
have remembered how her eyes had held him, but he would not have
known of what color they were. And yet, she would have remained a
vivid picture in his memory when other impressions, derived at
the same time, had vanished. "There was one little witch among
them, who was worth all the rest put together; and I can't tell
you why. They called her Emily. If I wasn't a married man--"
There he would have thought of his wife, and would have sighed
and said no more.

While the girls were still admiring Francine, the clock struck
the half-hour past eleven.

Cecilia stole on tiptoe to the door--looked out, and
listened--closed the door again--and addressed the meeting with
the irresistible charm of her sweet voice and her persuasive
smile.

"Are none of you hungry yet?" she inquired. "The teachers are
safe in their rooms; we have set ourselves right with Francine.
Why keep the supper waiting under Emily's bed?"

Such reasoning as this, with such personal attractions to
recommend it, admitted of but one reply. The queen waved her hand
graciously, and said, "Pull it out."

Is a lovely girl--whose face possesses the crowning charm of
expression, whose slightest movement reveals the supple symmetry
of her figure--less lovely because she is blessed with a good
appetite, and is not ashamed to acknowledge it? With a grace all
her own, Cecilia dived under the bed, and produced a basket of
jam tarts, a basket of fruit and sweetmeats, a basket of
sparkling lemonade, and a superb cake--all paid for by general
subscriptions, and smuggled into the room by kind connivance of
the servants. On this occasion, the feast was especially
plentiful and expensive, in commemoration not only of the arrival
of the Midsummer holidays, but of the coming freedom of Miss
Ladd's two leading young ladies. With widely different destinies
before them, Emily and Cecilia had completed their school life,
and were now to go out into the world.

The contrast in the characters of the two girls showed itself,
even in such a trifle as the preparations for supper.

Gentle Cecilia, sitting on the floor surrounded by good things,
left it to the ingenuity of others to decide whether the baskets
should be all emptied at once, or handed round
 from bed to bed, one at a time. In the meanwhile, her lovely
blue eyes rested tenderly on the tarts.

Emily's commanding spirit seized on the reins of government, and
employed each of her schoolfellows in the occupation which she
was fittest to undertake. "Miss de Sor, let me look at your hand.
Ah! I thought so. You have got the thickest wrist among us; you
shall draw the corks. If you let the lemonade pop, not a drop of
it goes down your throat. Effie, Annis, Priscilla, you are three
notoriously lazy girls; it's doing you a true kindness to set you
to work. Effie, clear the toilet-table for supper; away with the
combs, the brushes, and the looking-glass. Annis, tear the leaves
out of your book of exercises, and set them out for plates. No!
I'll unpack; nobody touches the baskets but me. Priscilla, you
have the prettiest ears in the room. You shall act as sentinel,
my dear, and listen at the door. Cecilia, when you have done
devouring those tarts with your eyes, take that pair of scissors
(Miss de Sor, allow me to apologize for the mean manner in which
this school is carried on; the knives and forks are counted and
locked up every night)--I say take that pair of scissors,
Cecilia, and carve the cake, and don't keep the largest bit for
yourself. Are we all ready? Very well. Now take example by me.
Talk as much as you like, so long as you don't talk too loud.
There is one other thing before we begin. The men always propose
toasts on these occasions; let's be like the men. Can any of you
make a speech? Ah, it falls on me as usual. I propose the first
toast. Down with all schools and teachers--especially the new
teacher, who came this half year. Oh, mercy, how it stings!" The
fixed gas in the lemonade took the orator, at that moment, by the
throat, and effectually checked the flow of her eloquence. It
made no difference to the girls. Excepting the ease of feeble
stomachs, who cares for eloquence in the presence of a
supper-table? There were no feeble stomachs in that bedroom. With
what inexhaustible energy Miss Ladd's young ladies ate and drank!
How merrily they enjoyed the delightful privilege of talking
nonsense! And--alas! alas!--how vainly they tried, in after life,
to renew the once unalloyed enjoyment of tarts and lemonade!

In the unintelligible scheme of creation, there appears to be no
human happiness--not even the happiness of schoolgirls--which is
ever complete. Just as it was drawing to a close, the enjoyment
of the feast was interrupted by an alarm from the sentinel at the
door.

Put out the candle!" Priscilla whispered "Somebody on the
stairs."

CHAPTER II.

BIOGRAPHY IN THE BEDROOM.

The candle was instantly extinguished. In discreet silence the
girls stole back to their beds, and listened.

As an aid to the vigilance of the sentinel, the door had been
left ajar. Through the narrow opening, a creaking of the broad
wooden stairs of the old house became audible. In another moment
there was silence. An interval passed, and the creaking was heard
again. This time, the sound was distant and diminishing. On a
sudden it stopped. The midnight silence was disturbed no more.

What did this mean?

Had one among the many persons in authority under Miss Ladd's
roof heard the girls talking, and ascended the stairs to surprise
them in the act of violating one of the rules of the house? So
far, such a proceeding was by no means uncommon. But was it
within the limits of probability that a teacher should alter her
opinion of her own duty half-way up the stairs, and deliberately
go back to her own room again? The bare idea of such a thing was
absurd on the face of it. What more rational explanation could
ingenuity discover on the spur of the moment?

Francine was the first to offer a suggestion. She shook and
shivered in her bed, and said, "For heaven's sake, light the
candle again! It's a Ghost."

"Clear away the supper, you fools, before the ghost can report us
to Miss Ladd."

With this excellent advice Emily checked the rising panic. The
door was closed, the candle was lit; all traces of the supper
disappeared. For five minutes more they listened again. No sound
came from the stairs; no teacher, or ghost of a teacher, appeared
at the door.

Having eaten her supper, Cecilia's immediate anxieties were at an
end; she was at leisure to exert her intelligence for the benefit
of her schoolfellows. In her gentle ingratiating way, she offered
a composing suggestion. "When we heard the creaking, I don't
believe there was anybody on the stairs. In these old houses
there are always strange noises at night--and they say the stairs
here were made more than two hundred years since."

The girls looked at each other with a sense of relief--but they
waited to hear the opinion of the queen. Emily, as usual,
justified the confidence placed in her. She discovered an
ingenious method of putting Cecilia's suggestion to the test.

"Let's go on talking," she said. "If Cecilia is right, the
teachers are all asleep, and we have nothing to fear from them.
If she's wrong, we shall sooner or later see one of them at the
door. Don't be alarmed, Miss de Sor. Catching us talking at
night, in this school, only means a reprimand. Catching us with a
light, ends in punishment. Blow out the candle."

Francine's belief in the ghost was too sincerely superstitious to
be shaken: she started up in bed. "Oh, don't leave me in the
dark! I'll take the punishment, if we are found out."

"On your sacred word of honor?" Emily stipulated.

"Yes--yes."

The queen's sense of humor was tickled.

"There's something funny," she remarked, addressing her subjects,
"in a big girl like this coming to a new school and beginning
with a punishment. May I ask if you are a foreigner, Miss de
Sor?"

"My papa is a Spanish gentleman," Francine answered, with
dignity.

"And your mamma?"

"My mamma is English."

"And you have always lived in the West Indies?"

"I have always lived in the Island of St. Domingo."

Emily checked off on her fingers the different points thus far
discovered in the character of Mr. de Sor's daughter. "She's
ignorant, and superstitious, and foreign, and rich. My dear
(forgive the familiarity), you are an interesting girl--and we
must really know more of you. Entertain the bedroom. What have
you been about all your life? And what in the name of wonder,
brings you here? Before you begin I insist on one condition, in
the name of all the young ladies in the room. No useful
information about the West Indies!"

Francine disappointed her audience.

She was ready enough to make herself an object of interest to her
companions; but she was not possessed of the capacity to arrange
events in their proper order, necessary to the recital of the
simplest narrative. Emily was obliged to help her, by means of
questions. In one respect, the result justified the trouble taken
to obtain it. A sufficient reason was discovered for the
extraordinary appearance of a new pupil, on the day before the
school closed for the holidays.

Mr. de Sor's elder brother had left him an estate in St. Domingo,
and a fortune in money as well; on the one easy condition that he
continued to reside in the island. The question of expense being
now beneath the notice of the family, Francine had been sent to
England, especially recommended to Miss Ladd as a young lady with
grand prospects, sorely in need of a fashionable education. The
voyage had been so timed, by the advice of the schoolmistress, as
to make the holidays a means of obtaining this object privately.
Francine was to be taken to Brighton, where excellent masters
could be obtained to assist Miss Ladd. With six weeks before her,
she might in some degree make up for lost time; and, when the
school opened again, she would avoid the mortification of being
put down in the lowest class, along with the children.

The examination of Miss de Sor having produced these results was
pursued no further. Her character now appeared in a new, and not
very attractive, light. She audaciously took to herself the whole
credit of telling her story:

"I think it's my turn now," she said, "to be interested and
amused. May I ask you to begin, Miss Emily? All I know of you at
present is,  t hat your family name is Brown."

Emily held up her hand for silence.

Was the mysterious creaking on the stairs making itself heard
once more? No. The sound that had caught Emily's quick ear came
from the beds, on the opposite side of the room, occupied by the
three lazy girls. With no new alarm to disturb them, Effie,
Annis, and Priscilla had yielded to the composing influences of a
good supper and a warm night. They were fast asleep--and the
stoutest of the three (softly, as became a young lady) was
snoring!

The unblemished reputation of the bedroom was dear to Emily, in
her capacity of queen. She felt herself humiliated in the
presence of the new pupil.

"If that fat girl ever gets a lover," she said indignantly, "I
shall consider it my duty to warn the poor man before he marries
her. Her ridiculous name is Euphemia. I have christened her (far
more appropriately) Boiled Veal. No color in her hair, no color
in her eyes, no color in her complexion. In short, no flavor in
Euphemia. You naturally object to snoring. Pardon me if I turn my
back on you--I am going to throw my slipper at her."

The soft voice of Cecilia--suspiciously drowsy in
tone--interposed in the interests of mercy.

"She can't help it, poor thing; and she really isn't loud enough
to disturb us."

"She won't disturb _you_, at any rate! Rouse yourself, Cecilia.
We are wide awake on this side of the room--and Francine says
it's our turn to amuse her."

A low murmur, dying away gently in a sigh, was the only answer.
Sweet Cecilia had yielded to the somnolent influences of the
supper and the night. The soft infection of repose seemed to be
in some danger of communicating itself to Francine. Her large
mouth opened luxuriously in a long-continued yawn.

"Good-night!" said Emily.

Miss de Sor became wide awake in an instant.

"No," she said positively; "you are quite mistaken if you think I
am going to sleep. Please exert yourself, Miss Emily--I am
waiting to be interested."

Emily appeared to be unwilling to exert herself. She preferred
talking of the weather.

"Isn't the wind rising?" she said.

There could be no doubt of it. The leaves in the garden were
beginning to rustle, and the pattering of the rain sounded on the
windows.

Francine (as her straight chin proclaimed to all students of
physiognomy) was an obstinate girl. Determined to carry her point
she tried Emily's own system on Emily herself--she put questions.

"Have you been long at this school?"

"More than three years."

"Have you got any brothers and sisters?"

"I am the only child."

"Are your father and mother alive?"

Emily suddenly raised herself in bed.

"Wait a minute," she said; "I think I hear it again."

"The creaking on the stairs?"

"Yes."

Either she was mistaken, or the change for the worse in the
weather made it not easy to hear slight noises in the house. The
wind was still rising. The passage of it through the great trees
in the garden began to sound like the fall of waves on a distant
beach. It drove the rain--a heavy downpour by this time--rattling
against the windows.

"Almost a storm, isn't it?" Emily said

Francine's last question had not been answered yet. She took the
earliest opportunity of repeating it:

"Never mind the weather," she said. "Tell me about your father
and mother. Are they both alive?"

Emily's reply only related to one of her parents.

"My mother died before I was old enough to feel my loss."

"And your father?"

Emily referred to another relative--her father's sister. "Since I
have grown up," she proceeded, "my good aunt has been a second
mother to me. My story is, in one respect, the reverse of yours.
You are unexpectedly rich; and I am unexpectedly poor. My aunt's
fortune was to have been my fortune, if I outlived her. She has
been ruined by the failure of a bank. In her old age, she must
live on an income of two hundred a year--and I must get my own
living when I leave school."

"Surely your father can help you?" Francine persisted.

"His property is landed property." Her voice faltered, as she
referred to him, even in that indirect manner. "It is entailed;
his nearest male relative inherits it."

The delicacy which is easily discouraged was not one of the
weaknesses in the nature of Francine.

"Do I understand that your father is dead?" she asked.

Our thick-skinned fellow-creatures have the rest of us at their
mercy: only give them time, and they carry their point in the
end. In sad subdued tones--telling of deeply-rooted reserves of
feeling, seldom revealed to strangers--Emily yielded at last.

"Yes," she said, "my father is dead."

"Long ago?"

"Some people might think it long ago. I was very fond of my
father. It's nearly four years since he died, and my heart still
aches when I think of him. I'm not easily depressed by troubles,
Miss de Sor. But his death was sudden--he was in his grave when I
first heard of it--and-- Oh, he was so good to me; he was so good
to me!"

The gay high-spirited little creature who took the lead among
them all--who was the life and soul of the school--hid her face
in her hands, and burst out crying.

Startled and--to do her justice--ashamed, Francine attempted to
make excuses. Emily's generous nature passed over the cruel
persistency that had tortured her. "No no; I have nothing to
forgive. It isn't your fault. Other girls have not mothers and
brothers and sisters--and get reconciled to such a loss as mine.
Don't make excuses."

"Yes, but I want you to know that I feel for you," Francine
insisted, without the slightest approach to sympathy in face,
voice, or manner. "When my uncle died, and left us all the money,
papa was much shocked. He trusted to time to help him."

"Time has been long about it with me, Francine. I am afraid there
is something perverse in my nature; the hope of meeting again in
a better world seems so faint and so far away. No more of it now!
Let us talk of that good creature who is asleep on the other side
of you. Did I tell you that I must earn my own bread when I leave
school? Well, Cecilia has written home and found an employment
for me. Not a situation as governess--something quite out of the
common way. You shall hear all about it."

In the brief interval that had passed, the weather had begun to
change again. The wind was as high as ever; but to judge by the
lessening patter on the windows the rain was passing away.

Emily began.

She was too grateful to her friend and school-fellow, and too
deeply interested in her story, to notice the air of indifference
with which Francine settled herself on her pillow to hear the
praises of Cecilia. The most beautiful girl in the school was not
an object of interest to a young lady with an obstinate chin and
unfortunately-placed eyes. Pouring warm from the speaker's heart
the story ran smoothly on, to the monotonous accompaniment of the
moaning wind. By fine degrees Francine's eyes closed, opened and
closed again. Toward the latter part of the narrative Emily's
memory became, for the moment only, confused between two events.
She stopped to consider--noticed Francine's silence, in an
interval when she might have said a word of encouragement--and
looked closer at her. Miss de Sor was asleep.

"She might have told me she was tired," Emily said to herself
quietly. "Well! the best thing I can do is to put out the light
and follow her example."

As she took up the extinguisher, the bedroom door was suddenly
opened from the outer side. A tall woman, robed in a black
dressing-gown, stood on the threshold, looking at Emily.


CHAPTER III.

THE LATE MR. BROWN.

The woman's lean, long-fingered hand pointed to the candle.

"Don't put it out." Saying those words, she looked round the
room, and satisfied herself that the other girls were asleep.

Emily laid down the extinguisher. "You mean to report us, of
course," she said. "I am the only one awake, Miss Jethro; lay the
blame on me."

"I have no intention of reporting you. But I have something to
say."

She paused, and pushed her thick black hair (already streaked
with gray) back from her temples. Her eyes, large and dark and
dim, rested on Emily with a sorrowful interest. "When your young
friends wake to-morrow morning," she went on, "you can tell them
that the new teacher, whom nobody likes, has left the school."

For once, even quick-witted Emily was bewildered. "Going away,"
she said, "when you have only been here since Easter!"

Miss Jethro advanced, not noticing Emily's expression of
surprise. "I am not very strong at the best of times," she
continued, "may I sit down on your bed?" Remarkable on other
occasions for her cold composure, her voice trembled as she made
that request--a strange request surely, when there were chairs at
her disposal.

Emily made room for her with the dazed look of a girl in a dream.
"I beg your pardon, Miss Jethro, one of the things I can't endure
is being puzzled. If you don't mean to report us, why did you
come in and catch me with the light?"

Miss Jethro's explanation was far from relieving the perplexity
which her conduct had caused.

"I have been mean enough," she answered, "to listen at the door,
and I heard you talking of your father. I want to hear more about
him. That is why I came in."

"You knew my father!" Emily exclaimed.

"I believe I knew him. But his name is so common--there are so
many thousands of 'James Browns' in England--that I am in fear of
making a mistake. I heard you say that he died nearly four years
since. Can you mention any particulars which might help to
enlighten me? If you think I am taking a liberty--"

Emily stopped her. "I would help you if I could," she said. "But
I was in poor health at the time; and I was staying with friends
far away in Scotland, to try change of air. The news of my
father's death brought on a relapse. Weeks passed before I was
strong enough to travel--weeks and weeks before I saw his grave!
I can only tell you what I know from my aunt. He died of
heart-complaint."

Miss Jethro started.

Emily looked at her for the first time, with eyes that betrayed a
feeling of distrust. "What have I said to startle you?" she
asked.

"Nothing! I am nervous in stormy weather--don't notice me." She
went on abruptly with her inquiries. "Will you tell me the date
of your father's death?"

"The date was the thirtieth of September, nearly four years
since."

She waited, after that reply.

Miss Jethro was silent.

"And this," Emily continued, "is the thirtieth of June, eighteen
hundred and eighty-one. You can now judge for yourself. Did you
know my father?"

Miss Jethro answered mechanically, using the same words.

"I did know your father."

Emily's feeling of distrust was not set at rest. "I never heard
him speak of you," she said.

In her younger days the teacher must have been a handsome woman.
Her grandly-formed features still suggested the idea of imperial
beauty--perhaps Jewish in its origin. When Emily said, "I never
heard him speak of you," the color flew into her pallid cheeks:
her dim eyes became alive again with a momentary light. She left
her seat on the bed, and, turning away, mastered the emotion that
shook her.

"How hot the night is!" she said: and sighed, and resumed the
subject with a steady countenance. "I am not surprised that your
father never mentioned me--to _you_." She spoke quietly, but her
face was paler than ever. She sat down again on the bed. "Is
there anything I can do for you," she asked, "before I go away?
Oh, I only mean some trifling service that would lay you under no
obligation, and would not oblige you to keep up your acquaintance
with me."

Her eyes--the dim black eyes that must once have been
irresistibly beautiful--looked at Emily so sadly that the
generous girl reproached herself for having doubted her father's
friend. "Are you thinking of _him_," she said gently, "when you
ask if you can be of service to me?"

Miss Jethro made no direct reply. "You were fond of your father?"
she added, in a whisper. "You told your schoolfellow that your
heart still aches when you speak of him."

"I only told her the truth," Emily answered simply.

Miss Jethro shuddered--on that hot night!--shuddered as if a
chill had struck her.

Emily held out her hand; the kind feeling that had been roused in
her glittered prettily in her eyes. "I am afraid I have not done
you justice," she said. "Will you forgive me and shake hands?"

Miss Jethro rose, and drew back. "Look at the light!" she
exclaimed.

The candle was all burned out. Emily still offered her hand--and
still Miss Jethro refused to see it.

"There is just light enough left," she said, "to show me my way
to the door. Good-night--and good-by."

Emily caught at her dress, and stopped her. "Why won't you shake
hands with me?" she asked.

The wick of the candle fell over in the socket, and left them in
the dark. Emily resolutely held the teacher's dress. With or
without light, she was still bent on making Miss Jethro explain
herself.

They had throughout spoken in guarded tones, fearing to disturb
the sleeping girls. The sudden darkness had its inevitable
effect. Their voices sank to whispers now. "My father's friend,"
Emily pleaded, "is surely my friend?"

"Drop the subject."

"Why?"

"You can never be _my_ friend."

"Why not?"

"Let me go!"

Emily's sense of self-respect forbade her to persist any longer.
"I beg your pardon for having kept you here against your will,"
she said--and dropped her hold on the dress.

Miss Jethro instantly yielded on her side. "I am sorry to have
been obstinate," she answered. "If you do despise me, it is after
all no more than I have deserved." Her hot breath beat on Emily's
face: the unhappy woman must have bent over the bed as she made
her confession. "I am not a fit person for you to associate
with."

"I don't believe it!"

Miss Jethro sighed bitterly. "Young and warm hearted--I was once
like you!" She controlled that outburst of despair. Her next
words were spoken in steadier tones. "You _will_ have it--you
_shall_ have it!" she said. "Some one (in this house or out of
it; I don't know which) has betrayed me to the mistress of the
school. A wretch in my situation suspects everybody, and worse
still, does it without reason or excuse. I heard you girls
talking when you ought to have been asleep. You all dislike me.
How did I know it mightn't be one of you? Absurd, to a person
with a well-balanced mind! I went halfway up the stairs, and felt
ashamed of myself, and went back to my room. If I could only have
got some rest! Ah, well, it was not to be done. My own vile
suspicions kept me awake; I left my bed again. You know what I
heard on the other side of that door, and why I was interested in
hearing it. Your father never told me he had a daughter. 'Miss
Brown,' at this school, was any 'Miss Brown,' to me. I had no
idea of who you really were until to-night. I'm wandering. What
does all this matter to you? Miss Ladd has been merciful; she
lets me go without exposing me. You can guess what has happened.
No? Not even yet? Is it innocence or kindness that makes you so
slow to understand? My dear, I have obtained admission to this
respectable house by means of false references, and I have been
discovered. _Now_ you know why you must not be the friend of such
a woman as I am! Once more, good-night--and good-by."

Emily shrank from that miserable farewell.

"Bid me good-night," she said, "but don't bid me good-by. Let me
see you again."

"Never!"

The sound of the softly-closed door was just audible in the
darkness. She had spoken--she had gone--never to be seen by Emily
again.

Miserable, interesting, unfathomable creature--the problem that
night of Emily's waking thoughts: the phantom of her dreams.
"Bad? or good?" she asked herself. "False; for she listened at
the door. True; for she told me the tale of her own disgrace. A
friend of my father; and she never knew that he had a daughter.
Refined, accomplished, lady-like; and she stoops to use a false
reference. Who is to reconcile such contradictions as these?"

Dawn looked in at the window--dawn of the memorable day which
was, for Emily, the beginning of a new life. The years were
before her; and the years in their course reveal baffling
mysteries of life and death.


CHAPTER IV.

MISS LADD'S DRAWING-MASTER.

Francine was awakened the next morning by one of the housemaids,
bringing up her breakfast on a tray. Astonished at this
concession to laziness, i n an institution devoted to the
practice of all virtues, she looked round. The bedroom was
deserted.

"The other young ladies are as busy as bees, miss," the housemaid
explained. "They were up and dressed two hours ago: and the
breakfast has been cleared away long since. It's Miss Emily's
fault. She wouldn't allow them to wake you; she said you could be
of no possible use downstairs, and you had better be treated like
a visitor. Miss Cecilia was so distressed at your missing your
breakfast that she spoke to the housekeeper, and I was sent up to
you. Please to excuse it if the tea's cold. This is Grand Day,
and we are all topsy-turvy in consequence."

Inquiring what "Grand Day" meant, and why it produced this
extraordinary result in a ladies' school, Francine discovered
that the first day of the vacation was devoted to the
distribution of prizes, in the presence of parents, guardians and
friends. An Entertainment was added, comprising those merciless
tests of human endurance called Recitations; light refreshments
and musical performances being distributed at intervals, to
encourage the exhausted audience. The local newspaper sent a
reporter to describe the proceedings, and some of Miss Ladd's
young ladies enjoyed the intoxicating luxury of seeing their
names in print.

"It begins at three o'clock," the housemaid went on, "and, what
with practicing and rehearsing, and ornamenting the schoolroom,
there's a hubbub fit to make a person's head spin. Besides
which," said the girl, lowering her voice, and approaching a
little nearer to Francine, "we have all been taken by surprise.
The first thing in the morning Miss Jethro left us, without
saying good-by to anybody."

"Who is Miss Jethro?"

"The new teacher, miss. We none of us liked her, and we all
suspect there's something wrong. Miss Ladd and the clergyman had
a long talk together yesterday (in private, you know), and they
sent for Miss Jethro--which looks bad, doesn't it? Is there
anything more I can do for you, miss? It's a beautiful day after
the rain. If I was you, I should go and enjoy myself in the
garden."

Having finished her breakfast, Francine decided on profiting by
this sensible suggestion.

The servant who showed her the way to the garden was not
favorably impressed by the new pupil: Francine's temper asserted
itself a little too plainly in her face. To a girl possessing a
high opinion of her own importance it was not very agreeable to
feel herself excluded, as an illiterate stranger, from the one
absorbing interest of her schoolfellows. "Will the time ever
come," she wondered bitterly, "when I shall win a prize, and sing
and play before all the company? How I should enjoy making the
girls envy me!"

A broad lawn, overshadowed at one end by fine old trees--flower
beds and shrubberies, and winding paths prettily and invitingly
laid out--made the garden a welcome refuge on that fine summer
morning. The novelty of the scene, after her experience in the
West Indies, the delicious breezes cooled by the rain of the
night, exerted their cheering influence even on the sullen
disposition of Francine. She smiled, in spite of herself, as she
followed the pleasant paths, and heard the birds singing their
summer songs over her head.

Wandering among the trees, which occupied a considerable extent
of ground, she passed into an open space beyond, and discovered
an old fish-pond, overgrown by aquatic plants. Driblets of water
trickled from a dilapidated fountain in the middle. On the
further side of the pond the ground sloped downward toward the
south, and revealed, over a low paling, a pretty view of a
village and its church, backed by fir woods mounting the heathy
sides of a range of hills beyond. A fanciful little wooden
building, imitating the form of a Swiss cottage, was placed so as
to command the prospect. Near it, in the shadow of the building,
stood a rustic chair and table--with a color-box on one, and a
portfolio on the other. Fluttering over the grass, at the mercy
of the capricious breeze, was a neglected sheet of drawing-paper.
Francine ran round the pond, and picked up the paper just as it
was on the point of being tilted into the water. It contained a
sketch in water colors of the village and the woods, and Francine
had looked at the view itself with indifference--the picture of
the view interested her. Ordinary visitors to Galleries of Art,
which admit students, show the same strange perversity. The work
of the copyist commands their whole attention; they take no
interest in the original picture.

Looking up from the sketch, Francine was startled. She discovered
a man, at the window of the Swiss summer-house, watching her.

"When you have done with that drawing," he said quietly, "please
let me have it back again."

He was tall and thin and dark. His finely-shaped intelligent
face--hidden, as to the lower part of it, by a curly black
beard--would have been absolutely handsome, even in the eyes of a
schoolgirl, but for the deep furrows that marked it prematurely
between the eyebrows, and at the sides of the mouth. In the same
way, an underlying mockery impaired the attraction of his
otherwise refined and gentle manner. Among his fellow-creatures,
children and dogs were the only critics who appreciated his
merits without discovering the defects which lessened the
favorable appreciation of him by men and women. He dressed
neatly, but his morning coat was badly made, and his picturesque
felt hat was too old. In short, there seemed to be no good
quality about him which was not perversely associated with a
drawback of some kind. He was one of those harmless and luckless
men, possessed of excellent qualities, who fail nevertheless to
achieve popularity in their social sphere.

Francine handed his sketch to him, through the window; doubtful
whether the words that he had addressed to her were spoken in
jest or in earnest.

"I only presumed to touch your drawing," she said, "because it
was in danger."

"What danger?" he inquired.

Francine pointed to the pond. "If I had not been in time to pick
it up, it would have been blown into the water."

"Do you think it was worth picking up?"

Putting that question, he looked first at the sketch--then at the
view which it represented--then back again at the sketch. The
corners of his mouth turned upward with a humorous expression of
scorn. "Madam Nature," he said, "I beg your pardon." With those
words, he composedly tore his work of art into small pieces, and
scattered them out of the window.

"What a pity!" said Francine.

He joined her on the ground outside the cottage. "Why is it a
pity?" he asked.

"Such a nice drawing."

"It isn't a nice drawing."

"You're not very polite, sir."

He looked at her--and sighed as if he pitied so young a woman for
having a temper so ready to take offense. In his flattest
contradictions he always preserved the character of a
politely-positive man.

"Put it in plain words, miss," he replied. "I have offended the
predominant sense in your nature--your sense of self-esteem. You
don't like to be told, even indirectly, that you know nothing of
Art. In these days, everybody knows everything--and thinks
nothing worth knowing after all. But beware how you presume on an
appearance of indifference, which is nothing but conceit in
disguise. The ruling passion of civilized humanity is, Conceit.
You may try the regard of your dearest friend in any other way,
and be forgiven. Ruffle the smooth surface of your friend's
self-esteem--and there will be an acknowledged coolness between
you which will last for life. Excuse me for giving you the
benefit of my trumpery experience. This sort of smart talk is
_my_ form of conceit. Can I be of use to you in some better way?
Are you looking for one of our young ladies?"

Francine began to feel a certain reluctant interest in him when
he spoke of "our young ladies." She asked if he belonged to the
school.

The corners of his mouth turned up again. "I'm one of the
masters," he said. "Are _you_ going to belong to the school,
too?"

Francine bent her head, with a gravity and condescension intended
to keep him at his proper distance. Far from being discouraged,
he permitted his curiosity to t ake additional liberties. "Are
you to have the misfortune of being one of my pupils?" he asked.

"I don't know who you are."

"You won't be much wiser when you do know. My name is Alban
Morris."

Francine corrected herself. "I mean, I don't know what you
teach."

Alban Morris pointed to the fragments of his sketch from Nature.
"I am a bad artist," he said. "Some bad artists become Royal
Academicians. Some take to drink. Some get a pension. And some--I
am one of them--find refuge in schools. Drawing is an 'Extra' at
this school. Will you take my advice? Spare your good father's
pocket; say you don't want to learn to draw."

He was so gravely in earnest that Francine burst out laughing.
"You are a strange man," she said.

"Wrong again, miss. I am only an unhappy man."

The furrows in his face deepened, the latent humor died out of
his eyes. He turned to the summer-house window, and took up a
pipe and tobacco pouch, left on the ledge.

"I lost my only friend last year," he said. "Since the death of
my dog, my pipe is the one companion I have left. Naturally I am
not allowed to enjoy the honest fellow's society in the presence
of ladies. They have their own taste in perfumes. Their clothes
and their letters reek with the foetid secretion of the musk
deer. The clean vegetable smell of tobacco is unendurable to
them. Allow me to retire--and let me thank you for the trouble
you took to save my drawing."

The tone of indifference in which he expressed his gratitude
piqued Francine. She resented it by drawing her own conclusion
from what he had said of the ladies and the musk deer. "I was
wrong in admiring your drawing," she remarked; "and wrong again
in thinking you a strange man. Am I wrong, for the third time, in
believing that you dislike women?"

"I am sorry to say you are right," Alban Morris answered gravely.

"Is there not even one exception?"

The instant the words passed her lips, she saw that there was
some secretly sensitive feeling in him which she had hurt. His
black brows gathered into a frown, his piercing eyes looked at
her with angry surprise. It was over in a moment. He raised his
shabby hat, and made her a bow.

"There is a sore place still left in me," he said; "and you have
innocently hit it. Good-morning."

Before she could speak again, he had turned the corner of the
summer-house, and was lost to view in a shrubbery on the westward
side of the grounds.


CHAPTER V.

DISCOVERIES IN THE GARDEN.

Left by herself, Miss de Sor turned back again by way of the
trees.

So far, her interview with the drawing-master had helped to pass
the time. Some girls might have found it no easy task to arrive
at a true view of the character of Alban Morris. Francine's
essentially superficial observation set him down as "a little
mad," and left him there, judged and dismissed to her own entire
satisfaction.

Arriving at the lawn, she discovered Emily pacing backward and
forward, with her head down and her hands behind her, deep in
thought. Francine's high opinion of herself would have carried
her past any of the other girls, unless they had made special
advances to her. She stopped and looked at Emily.

It is the sad fate of little women in general to grow too fat and
to be born with short legs. Emily's slim finely-strung figure
spoke for itself as to the first of these misfortunes, and
asserted its happy freedom from the second, if she only walked
across a room. Nature had built her, from head to foot, on a
skeleton-scaffolding in perfect proportion. Tall or short matters
little to the result, in women who possess the first and foremost
advantage of beginning well in their bones. When they live to old
age, they often astonish thoughtless men, who walk behind them in
the street. "I give you my honor, she was as easy and upright as
a young girl; and when you got in front of her and looked--white
hair, and seventy years of age."

Francine approached Emily, moved by a rare impulse in her
nature--the impulse to be sociable. "You look out of spirits,"
she began. "Surely you don't regret leaving school?"

In her present mood, Emily took the opportunity (in the popular
phrase) of snubbing Francine. "You have guessed wrong; I do
regret," she answered. "I have found in Cecilia my dearest friend
at school. And school brought with it the change in my life which
has helped me to bear the loss of my father. If you must know
what I was thinking of just now, I was thinking or my aunt. She
has not answered my last letter--and I'm beginning to be afraid
she is ill."

"I'm very sorry," said Francine.

"Why? You don't know my aunt; and you have only known me since
yesterday afternoon. Why are you sorry?"

Francine remained silent. Without realizing it, she was beginning
to feel the dominant influence that Emily exercised over the
weaker natures that came in contact with her. To find herself
irresistibly attracted by a stranger at a new school--an
unfortunate little creature, whose destiny was to earn her own
living--filled the narrow mind of Miss de Sor with perplexity.
Having waited in vain for a reply, Emily turned away, and resumed
the train of thought which her schoolfellow had interrupted.



By an association of ideas, of which she was not herself aware,
she now passed from thinking of her aunt to thinking of Miss
Jethro. The interview of the previous night had dwelt on her mind
at intervals, in the hours of the new day.

Acting on instinct rather than on reason, she had kept that
remarkable incident in her school life a secret from every one.
No discoveries had been made by other persons. In speaking to her
staff of teachers, Miss Ladd had alluded to the affair in the
most cautious terms. "Circumstances of a private nature have
obliged the lady to retire from my school. When we meet after the
holidays, another teacher will be in her place." There, Miss
Ladd's explanation had begun and ended. Inquiries addressed to
the servants had led to no result. Miss Jethro's luggage was to
be forwarded to the London terminus of the railway--and Miss
Jethro herself had baffled investigation by leaving the school on
foot. Emily's interest in the lost teacher was not the transitory
interest of curiosity; her father's mysterious friend was a
person whom she honestly desired to see again. Perplexed by the
difficulty of finding a means of tracing Miss Jethro, she reached
the shady limit of the trees, and turned to walk back again.
Approaching the place at which she and Francine had met, an idea
occurred to her. It was just possible that Miss Jethro might not
be unknown to her aunt.

Still meditating on the cold reception that she had encountered,
and still feeling the influence which mastered her in spite of
herself, Francine interpreted Emily's return as an implied
expression of regret. She advanced with a constrained smile, and
spoke first.

"How are the young ladies getting on in the schoolroom?" she
asked, by way of renewing the conversation.

Emily's face assumed a look of surprise which said plainly, Can't
you take a hint and leave me to myself?

Francine was constitutionally impenetrable to reproof of this
sort; her thick skin was not even tickled. "Why are you not
helping them," she went on; "you who have the clearest head among
us and take the lead in everything?"

It may be a humiliating confession to make, yet it is surely true
that we are all accessible to flattery. Different tastes
appreciate different methods of burning incense--but the perfume
is more or less agreeable to all varieties of noses. Francine's
method had its tranquilizing effect on Emily. She answered
indulgently, "Miss de Sor, I have nothing to do with it."

"Nothing to do with it? No prizes to win before you leave
school?"

"I won all the prizes years ago."

"But there are recitations. Surely you recite?"

Harmless words in themselves, pursuing the same smooth course of
flattery as before--but with what a different result! Emily's
face reddened with anger the moment they were spoken. Having
already irritated Alban Morris, unlucky Francine, by a second
mischievous interposition of accident, had succeeded in making
Emily smart next. "Who has told you," she burst out; "I insist on
knowing!"

"Nobod y has told me anything!" Francine declared piteously.

"Nobody has told you how I have been insulted?"

"No, indeed! Oh, Miss Brown, who could insult _you?_"

In a man, the sense of injury does sometimes submit to the
discipline of silence. In a woman--never. Suddenly reminded of
her past wrongs (by the pardonable error of a polite
schoolfellow), Emily committed the startling inconsistency of
appealing to the sympathies of Francine!

"Would you believe it? I have been forbidden to recite--I, the
head girl of the school. Oh, not to-day! It happened a month
ago--when we were all in consultation, making our arrangements.
Miss Ladd asked me if I had decided on a piece to recite. I said,
'I have not only decided, I have learned the piece.' 'And what
may it be?' 'The dagger-scene in Macbeth.' There was a howl--I
can call it by no other name--a howl of indignation. A man's
soliloquy, and, worse still, a murdering man's soliloquy, recited
by one of Miss Ladd's young ladies, before an audience of parents
and guardians! That was the tone they took with me. I was as firm
as a rock. The dagger-scene or nothing. The result is--nothing!
An insult to Shakespeare, and an insult to Me. I felt it--I feel
it still. I was prepared for any sacrifice in the cause of the
drama. If Miss Ladd had met me in a proper spirit, do you know
what I would have done? I would have played Macbeth in costume.
Just hear me, and judge for yourself. I begin with a dreadful
vacancy in my eyes, and a hollow moaning in my voice: 'Is this a
dagger that I see before me--?'"

Reciting with her face toward the trees, Emily started, dropped
the character of Macbeth, and instantly became herself again:
herself, with a rising color and an angry brightening of the
eyes. "Excuse me, I can't trust my memory: I must get the play."
With that abrupt apology, she walked away rapidly in the
direction of the house.

In some surprise, Francine turned, and looked at the trees. She
discovered--in full retreat, on his side--the eccentric
drawing-master, Alban Morris.

Did he, too, admire the dagger-scene? And was he modestly
desirous of hearing it recited, without showing himself? In that
case, why should Emily (whose besetting weakness was certainly
not want of confidence in her own resources) leave the garden the
moment she caught sight of him? Francine consulted her instincts.
She had just arrived at a conclusion which expressed itself
outwardly by a malicious smile, when gentle Cecilia appeared on
the lawn--a lovable object in a broad straw hat and a white
dress, with a nosegay in her bosom--smiling, and fanning herself.

"It's so hot in the schoolroom," she said, "and some of the
girls, poor things, are so ill-tempered at rehearsal--I have made
my escape. I hope you got your breakfast, Miss de Sor. What have
you been doing here, all by yourself?"

"I have been making an interesting discovery," Francine replied.

"An interesting discovery in our garden? What _can_ it be?"

"The drawing-master, my dear, is in love with Emily. Perhaps she
doesn't care about him. Or, perhaps, I have been an innocent
obstacle in the way of an appointment between them."

Cecilia had breakfasted to her heart's content on her favorite
dish--buttered eggs. She was in such good spirits that she was
inclined to be coquettish, even when there was no man present to
fascinate. "We are not allowed to talk about love in this
school," she said--and hid her face behind her fan. "Besides, if
it came to Miss Ladd's ears, poor Mr. Morris might lose his
situation."

"But isn't it true?" asked Francine.

"It may be true, my dear; but nobody knows. Emily hasn't breathed
a word about it to any of us. And Mr. Morris keeps his own
secret. Now and then we catch him looking at her--and we draw our
own conclusions."

"Did you meet Emily on your way here?"

"Yes, and she passed without speaking to me."

"Thinking perhaps of Mr. Morris."

Cecilia shook her head. "Thinking, Francine, of the new life
before her--and regretting, I am afraid, that she ever confided
her hopes and wishes to me. Did she tell you last night what her
prospects are when she leaves school?"

"She told me you had been very kind in helping her. I daresay I
should have heard more, if I had not fallen asleep. What is she
going to do?"

"To live in a dull house, far away in the north," Cecilia
answered; "with only old people in it. She will have to write and
translate for a great scholar, who is studying mysterious
inscriptions--hieroglyphics, I think they are called--found among
the ruins of Central America. It's really no laughing matter,
Francine! Emily made a joke of it, too. 'I'll take anything but a
situation as a governess,' she said; 'the children who have Me to
teach them would be to be pitied indeed!' She begged and prayed
me to help her to get an honest living. What could I do? I could
only write home to papa. He is a member of Parliament: and
everybody who wants a place seems to think he is bound to find it
for them. As it happened, he had heard from an old friend of his
(a certain Sir Jervis Redwood), who was in search of a secretary.
Being in favor of letting the women compete for employment with
the men, Sir Jervis was willing to try, what he calls, 'a
female.' Isn't that a horrid way of speaking of us? and Miss Ladd
says it's ungrammatical, besides. Papa had written back to say he
knew of no lady whom he could recommend. When he got my letter
speaking of Emily, he kindly wrote again. In the interval, Sir
Jervis had received two applications for the vacant place. They
were both from old ladies--and he declined to employ them."

"Because they were old," Francine suggested maliciously.

"You shall hear him give his own reasons, my dear. Papa sent me
an extract from his letter. It made me rather angry; and (perhaps
for that reason) I think I can repeat it word for word:--'We are
four old people in this house, and we don't want a fifth. Let us
have a young one to cheer us. If your daughter's friend likes the
terms, and is not encumbered with a sweetheart, I will send for
her when the school breaks up at midsummer.' Coarse and
selfish--isn't it? However, Emily didn't agree with me, when I
showed her the extract. She accepted the place, very much to her
aunt's surprise and regret, when that excellent person heard of
it. Now that the time has come (though Emily won't acknowledge
it), I believe she secretly shrinks, poor dear, from the
prospect."

"Very likely," Francine agreed--without even a pretense of
sympathy. "But tell me, who are the four old people?"

"First, Sir Jervis himself--seventy, last birthday. Next, his
unmarried sister--nearly eighty. Next, his man-servant, Mr.
Rook--well past sixty. And last, his man-servant's wife, who
considers herself young, being only a little over forty. That is
the household. Mrs. Rook is coming to-day to attend Emily on the
journey to the North; and I am not at all sure that Emily will
like her."

"A disagreeable woman, I suppose?"

"No--not exactly that. Rather odd and flighty. The fact is, Mrs.
Rook has had her troubles; and perhaps they have a little
unsettled her. She and her husband used to keep the village inn,
close to our park: we know all about them at home. I am sure I
pity these poor people. What are you looking at, Francine?"

Feeling no sort of interest in Mr. and Mrs. Rook, Francine was
studying her schoolfellow's lovely face in search of defects. She
had already discovered that Cecilia's eyes were placed too widely
apart, and that her chin wanted size and character.

"I was admiring your complexion, dear," she answered coolly.
"Well, and why do you pity the Rooks?"

Simple Cecilia smiled, and went on with her story.

"They are obliged to go out to service in their old age, through
a misfortune for which they are in no way to blame. Their
customers deserted the inn, and Mr. Rook became bankrupt. The inn
got what they call a bad name--in a very dreadful way. There was
a murder committed in the house."

"A murder?" cried Francine. "Oh, this is exciting! You provoking
girl, why didn't you tell me about it before?"

"I didn't think of it," said Cecilia placidly.

"Do go on! Were you at home when it happened?"

"I w as here, at school."

"You saw the newspapers, I suppose?"

"Miss Ladd doesn't allow us to read newspapers. I did hear of it,
however, in letters from home. Not that there was much in the
letters. They said it was too horrible to be described. The poor
murdered gentleman--"

Francine was unaffectedly shocked. "A gentleman!" she exclaimed.
"How dreadful!"

"The poor man was a stranger in our part of the country," Cecilia
resumed; "and the police were puzzled about the motive for a
murder. His pocketbook was missing; but his watch and his rings
were found on the body. I remember the initials on his linen
because they were the same as my mother's initial before she was
married--'J. B.' Really, Francine, that's all I know about it."

"Surely you know whether the murderer was discovered?"

"Oh, yes--of course I know that! The government offered a reward;
and clever people were sent from London to help the county
police. Nothing came of it. The murderer has never been
discovered, from that time to this."

"When did it happen?"

"It happened in the autumn."

"The autumn of last year?"

"No! no! Nearly four years since."


CHAPTER VI.

ON THE WAY TO THE VILLAGE.

Alban Morris--discovered by Emily in concealment among the
trees--was not content with retiring to another part of the
grounds. He pursued his retreat, careless in what direction it
might take him, to a footpath across the fields, which led to the
highroad and the railway station.

Miss Ladd's drawing-master was in that state of nervous
irritability which seeks relief in rapidity of motion. Public
opinion in the neighborhood (especially public opinion among the
women) had long since decided that his manners were offensive,
and his temper incurably bad. The men who happened to pass him on
the footpath said "Good-morning" grudgingly. The women took no
notice of him--with one exception. She was young and saucy, and
seeing him walking at the top of his speed on the way to the
railway station, she called after him, "Don't be in a hurry, sir!
You're in plenty of time for the London train."

To her astonishment he suddenly stopped. His reputation for
rudeness was so well established that she moved away to a safe
distance, before she ventured to look at him again. He took no
notice of her--he seemed to be considering with himself. The
frolicsome young woman had done him a service: she had suggested
an idea.

"Suppose I go to London?" he thought. "Why not?--the school is
breaking up for the holidays--and _she_ is going away like the
rest of them." He looked round in the direction of the
schoolhouse. "If I go back to wish her good-by, she will keep out
of my way, and part with me at the last moment like a stranger.
After my experience of women, to be in love again--in love with a
girl who is young enough to be my daughter--what a fool, what a
driveling, degraded fool I must be!"

Hot tears rose in his eyes. He dashed them away savagely, and
went on again faster than ever--resolved to pack up at once at
his lodgings in the village, and to take his departure by the
next train.

At the point where the footpath led into the road, he came to a
standstill for the second time.

The cause was once more a person of the sex associated in his
mind with a bitter sense of injury. On this occasion the person
was only a miserable little child, crying over the fragments of a
broken jug.

Alban Morris looked at her with his grimly humorous smile. "So
you've broken a jug?" he remarked.

"And spilt father's beer," the child answered. Her frail little
body shook with terror. "Mother'll beat me when I go home," she
said.

"What does mother do when you bring the jug back safe and sound?"
Alban asked.

"Gives me bren-butter."

"Very well. Now listen to me. Mother shall give you bread and
butter again this time."

The child stared at him with the tears suspended in her eyes. He
went on talking to her as seriously as ever.

"You understand what I have just said to you?"

"Yes, sir."

"Have you got a pocket-handkerchief?"

"No, sir."

"Then dry your eyes with mine."

He tossed his handkerchief to her with one hand, and picked up a
fragment of the broken jug with the other. "This will do for a
pattern," he said to himself. The child stared at the
handkerchief--stared at Alban--took courage--and rubbed
vigorously at her eyes. The instinct, which is worth all the
reason that ever pretended to enlighten mankind--the instinct
that never deceives--told this little ignorant creature that she
had found a friend. She returned the handkerchief in grave
silence. Alban took her up in his arms.

"Your eyes are dry, and your face is fit to be seen," he said.
"Will you give me a kiss?" The child gave him a resolute kiss,
with a smack in it. "Now come and get another jug," he said, as
he put her down. Her red round eyes opened wide in alarm. "Have
you got money enough?" she asked. Alban slapped his pocket. "Yes,
I have," he answered. "That's a good thing," said the child;
"come along."

They went together hand in hand to the village, and bought the
new jug, and had it filled at the beer-shop. The thirsty father
was at the upper end of the fields, where they were making a
drain. Alban carried the jug until they were within sight of the
laborer. "You haven't far to go," he said. "Mind you don't drop
it again--What's the matter now?"

"I'm frightened."

"Why?"

"Oh, give me the jug."

She almost snatched it out of his hand. If she let the precious
minutes slip away, there might be another beating in store for
her at the drain: her father was not of an indulgent disposition
when his children were late in bringing his beer. On the point of
hurrying away, without a word of farewell, she remembered the
laws of politeness as taught at the infant school--and dropped
her little curtsey--and said, "Thank you, sir." That bitter sense
of injury was still in Alban's mind as he looked after her. "What
a pity she should grow up to be a woman!" he said to himself.

The adventure of the broken jug had delayed his return to his
lodgings by more than half an hour. When he reached the road once
more, the cheap up-train from the North had stopped at the
station. He heard the ringing of the bell as it resumed the
journey to London.

One of the passengers (judging by the handbag that she carried)
had not stopped at the village.

As she advanced toward him along the road, he remarked that she
was a small wiry active woman--dressed in bright colors, combined
with a deplorable want of taste. Her aquiline nose seemed to be
her most striking feature as she came nearer. It might have been
fairly proportioned to the rest of her face, in her younger days,
before her cheeks had lost flesh and roundness. Being probably
near-sighted, she kept her eyes half-closed; there were cunning
little wrinkles at the corners of them. In spite of appearances,
she was unwilling to present any outward acknowledgment of the
march of time. Her hair was palpably dyed--her hat was jauntily
set on her head, and ornamented with a gay feather. She walked
with a light tripping step, swinging her bag, and holding her
head up smartly. Her manner, like her dress, said as plainly as
words could speak, "No matter how long I may have lived, I mean
to be young and charming to the end of my days." To Alban's
surprise she stopped and addressed him.

"Oh, I beg your pardon. Could you tell me if I am in the right
road to Miss Ladd's school?"

She spoke with nervous rapidity of articulation, and with a
singularly unpleasant smile. It parted her thin lips just widely
enough to show her suspiciously beautiful teeth; and it opened
her keen gray eyes in the strangest manner. The higher lid rose
so as to disclose, for a moment, the upper part of the eyeball,
and to give her the appearance--not of a woman bent on making
herself agreeable, but of a woman staring in a panic of terror.
Careless to conceal the unfavorable impression that she had
produced on him, Alban answered roughly, "Straight on," and tried
to pass her.

She stopped him with a peremptory gesture. "I have treated you
politely," she said, "and how do you treat me in return? Well! I
am not surprised. Men are all brutes by nature--and you are  a
man.
 'Straight on'?" she repeated contemptuously; "I should like to
know how far that helps a person in a strange place. Perhaps you
know no more where Miss Ladd's school is than I do? or, perhaps,
you don't care to take the trouble of addressing me? Just what I
should have expected from a person of your sex! Good-morning."

Alban felt the reproof; she had appealed to his most
readily-impressible sense--his sense of humor. He rather enjoyed
seeing his own prejudice against women grotesquely reflected in
this flighty stranger's prejudice against men. As the best excuse
for himself that he could make, he gave her all the information
that she could possibly want--then tried again to pass on--and
again in vain. He had recovered his place in her estimation: she
had not done with him yet.

"You know all about the way there," she said "I wonder whether
you know anything about the school?"

No change in her voice, no change in her manner, betrayed any
special motive for putting this question. Alban was on the point
of suggesting that she should go on to the school, and make her
inquiries there--when he happened to notice her eyes. She had
hitherto looked him straight in the face. She now looked down on
the road. It was a trifling change; in all probability it meant
nothing--and yet, merely because it was a change, it roused his
curiosity. "I ought to know something about the school," he
answered. "I am one of the masters."

"Then you're just the man I want. May I ask your name?"

"Alban Morris."

"Thank you. I am Mrs. Rook. I presume you have heard of Sir
Jervis Redwood?"

"No."

"Bless my soul! You are a scholar, of course--and you have never
heard of one of your own trade. Very extraordinary. You see, I am
Sir Jervis's housekeeper; and I am sent here to take one of your
young ladies back with me to our place. Don't interrupt me! Don't
be a brute again! Sir Jervis is not of a communicative
disposition. At least, not to me. A man--that explains it--a man!
He is always poring over his books and writings; and Miss
Redwood, at her great age, is in bed half the day. Not a thing do
I know about this new inmate of ours, except that I am to take
her back with me. You would feel some curiosity yourself in my
place, wouldn't you? Now do tell me. What sort of girl is Miss
Emily Brown?"

The name that he was perpetually thinking of--on this woman's
lips! Alban looked at her.

"Well," said Mrs. Rook, "am I to have no answer? Ah, you want
leading. So like a man again! Is she pretty?"

Still examining the housekeeper with mingled feelings of interest
and distrust, Alban answered ungraciously:

"Yes."

"Good-tempered?"

Alban again said "Yes."

"So much about herself," Mrs. Rook remarked. "About her family
now?" She shifted her bag restlessly from one hand to another.
"Perhaps you can tell me if Miss Emily's father--" she suddenly
corrected herself--"if Miss Emily's parents are living?"

"I don't know."

"You mean you won't tell me."

"I mean exactly what I have said."

"Oh, it doesn't matter," Mrs. Rook rejoined; "I shall find out at
the school. The first turning to the left, I think you
said--across the fields?"

He was too deeply interested in Emily to let the housekeeper go
without putting a question on his side:

"Is Sir Jervis Redwood one of Miss Emily's old friends?" he
asked.

"He? What put that into your head? He has never even seen Miss
Emily. She's going to our house--ah, the women are getting the
upper hand now, and serve the men right, I say!--she's going to
our house to be Sir Jervis's secretary. You would like to have
the place yourself, wouldn't you? You would like to keep a poor
girl from getting her own living? Oh, you may look as fierce as
you please--the time's gone by when a man could frighten _me_. I
like her Christian name. I call Emily a nice name enough. But
'Brown'! Good-morning, Mr. Morris; you and I are not cursed with
such a contemptibly common name as that! 'Brown'? Oh, Lord!"

She tossed her head scornfully, and walked away, humming a tune.

Alban stood rooted to the spot. The effort of his later life had
been to conceal the hopeless passion which had mastered him in
spite of himself. Knowing nothing from Emily--who at once pitied
and avoided him--of her family circumstances or of her future
plans, he had shrunk from making inquiries of others, in the fear
that they, too, might find out his secret, and that their
contempt might be added to the contempt which he felt for
himself. In this position, and with these obstacles in his way,
the announcement of Emily's proposed journey--under the care of a
stranger, to fill an employment in the house of a stranger--not
only took him by surprise, but inspired him with a strong feeling
of distrust. He looked after Sir Jervis Redwood's flighty
housekeeper, completely forgetting the purpose which had brought
him thus far on the way to his lodgings. Before Mrs. Rook was out
of sight, Alban Morris was following her back to the school.


CHAPTER VII.

"COMING EVENTS CAST THEIR SHADOWS BEFORE."

Miss De Sor and Miss Wyvil were still sitting together under the
trees, talking of the murder at the inn.

"And is that really all you can tell me?" said Francine.

"That is all," Cecilia answered.

"Is there no love in it?"

"None that I know of."

"It's the most uninteresting murder that ever was committed. What
shall we do with ourselves? I'm tired of being here in the
garden. When do the performances in the schoolroom begin?"

"Not for two hours yet."

Francine yawned. "And what part do you take in it?" she asked.

"No part, my dear. I tried once--only to sing a simple little
song. When I found myself standing before all the company and saw
rows of ladies and gentlemen waiting for me to begin, I was so
frightened that Miss Ladd had to make an apology for me. I didn't
get over it for the rest of the day. For the first time in my
life, I had no appetite for my dinner. Horrible!" said Cecilia,
shuddering over the remembrance of it. "I do assure you, I
thought I was going to die."

Perfectly unimpressed by this harrowing narrative, Francine
turned her head lazily toward the house. The door was thrown open
at the same moment. A lithe little person rapidly descended the
steps that led to the lawn.

"It's Emily come back again," said Francine.

"And she seems to be rather in a hurry," Cecilia remarked.

Francine's satirical smile showed itself for a moment. Did this
appearance of hurry in Emily's movements denote impatience to
resume the recital of "the dagger-scene"? She had no book in her
hand; she never even looked toward Francine. Sorrow became
plainly visible in her face as she approached the two girls.

Cecilia rose in alarm. She had been the first person to whom
Emily had confided her domestic anxieties. "Bad news from your
aunt?" she asked.

"No, my dear; no news at all." Emily put her arms tenderly round
her friend's neck. "The time has come, Cecilia," she said. "We
must wish each other good-by."

"Is Mrs. Rook here already?"

"It's _you_, dear, who are going," Emily answered sadly. "They
have sent the governess to fetch you. Miss Ladd is too busy in
the schoolroom to see her--and she has told me all about it.
Don't be alarmed. There is no bad news from home. Your plans are
altered; that's all."

"Altered?" Cecilia repeated. "In what way?"

"In a very agreeable way--you are going to travel. Your father
wishes you to be in London, in time for the evening mail to
France."

Cecilia guessed what had happened. "My sister is not getting
well," she said, "and the doctors are sending her to the
Continent."

"To the baths at St. Moritz," Emily added. "There is only one
difficulty in the way; and you can remove it. Your sister has the
good old governess to take care of her, and the courier to
relieve her of all trouble on the journey. They were to have
started yesterday. You know how fond Julia is of you. At the last
moment, she won't hear of going away, unless you go too. The
rooms are waiting at St. Moritz; and your father is annoyed (the
governess says) by the delay that has taken place already."

She paused. Cecilia was silent. "Surely you don't hesitate?"
Emily said.

"I am too happy to go wherever Julia go es," Cecilia answered
warmly; "I was thinking of you, dear." Her tender nature,
shrinking from the hard necessities of life, shrank from the
cruelly-close prospect of parting. "I thought we were to have had
some hours together yet," she said. "Why are we hurried in this
way? There is no second train to London, from our station, till
late in the afternoon."

"There is the express," Emily reminded her; "and there is time to
catch it, if you drive at once to the town." She took Cecilia's
hand and pressed it to her bosom. "Thank you again and again,
dear, for all you have done for me. Whether we meet again or not,
as long as I live I shall love you. Don't cry!" She made a faint
attempt to resume her customary gayety, for Cecilia's sake. "Try
to be as hard-hearted as I am. Think of your sister--don't think
of me. Only kiss me."

Cecilia's tears fell fast. "Oh, my love, I am so anxious about
you! I am so afraid that you will not be happy with that selfish
old man--in that dreary house. Give it up, Emily! I have got
plenty of money for both of us; come abroad with me. Why not? You
always got on well with Julia, when you came to see us in the
holidays. Oh, my darling! my darling! What shall I do without
you?"

All that longed for love in Emily's nature had clung round her
school-friend since her father's death. Turning deadly pale under
the struggle to control herself, she made the effort--and bore
the pain of it without letting a cry or a tear escape her. "Our
ways in life lie far apart," she said gently. "There is the hope
of meeting again, dear--if there is nothing more."

The clasp of Cecilia's arm tightened round her. She tried to
release herself; but her resolution had reached its limits. Her
hands dropped, trembling. She could still try to speak
cheerfully, and that was all.

"There is not the least reason, Cecilia, to be anxious about my
prospects. I mean to be Sir Jervis Redwood's favorite before I
have been a week in his service."

She stopped, and pointed to the house. The governess was
approaching them. "One more kiss, darling. We shall not forget
the happy hours we have spent together; we shall constantly write
to each other." She broke down at last. "Oh, Cecilia! Cecilia!
leave me for God's sake--I can't bear it any longer!"

The governess parted them. Emily dropped into the chair that her
friend had left. Even her hopeful nature sank under the burden of
life at that moment.

A hard voice, speaking close at her side, startled her.

"Would you rather be Me," the voice asked, "without a creature to
care for you?"

Emily raised her head. Francine, the unnoticed witness of the
parting interview, was standing by her, idly picking the leaves
from a rose which had dropped out of Cecilia's nosegay.

Had she felt her own isolated position? She had felt it
resentfully.

Emily looked at her, with a heart softened by sorrow. There was
no answering kindness in the eyes of Miss de Sor--there was only
a dogged endurance, sad to see in a creature so young.

"You and Cecilia are going to write to each other," she said. "I
suppose there is some comfort in that. When I left the island
they were glad to get rid of me. They said, 'Telegraph when you
are safe at Miss Ladd's school.' You see, we are so rich, the
expense of telegraphing to the West Indies is nothing to us.
Besides, a telegram has an advantage over a letter--it doesn't
take long to read. I daresay I shall write home. But they are in
no hurry; and I am in no hurry. The school's breaking up; you are
going your way, and I am going mine--and who cares what becomes
of me? Only an ugly old schoolmistress, who is paid for caring. I
wonder why I am saying all this? Because I like you? I don't know
that I like you any better than you like me. When I wanted to be
friends with you, you treated me coolly; I don't want to force
myself on you. I don't particularly care about you. May I write
to you from Brighton?"

Under all this bitterness--the first exhibition of Francine's
temper, at its worst, which had taken place since she joined the
school--Emily saw, or thought she saw, distress that was too
proud, or too shy, to show itself. "How can you ask the
question?" she answered cordially.

Francine was incapable of meeting the sympathy offered to her,
even half way. "Never mind how," she said. "Yes or no is all I
want from you."

"Oh, Francine! Francine! what are you made of! Flesh and blood?
or stone and iron? Write to me of course--and I will write back
again."

"Thank you. Are you going to stay here under the trees?"

"Yes."

"All by yourself?"

"All by myself."

"With nothing to do?"

"I can think of Cecilia."

Francine eyed her with steady attention for a moment.

"Didn't you tell me last night that you were very poor?" she
asked.

"I did."

"So poor that you are obliged to earn your own living?"

"Yes."

Francine looked at her again.

"I daresay you won't believe me," she said. "I wish I was you."

She turned away irritably, and walked back to the house.

Were there really longings for kindness and love under the
surface of this girl's perverse nature? Or was there nothing to
be hoped from a better knowledge of her?--In place of tender
remembrances of Cecilia, these were the perplexing and unwelcome
thoughts which the more potent personality of Francine forced
upon Emily's mind.

She rose impatiently, and looked at her watch. When would it be
her turn to leave the school, and begin the new life?

Still undecided what to do next, her interest was excited by the
appearance of one of the servants on the lawn. The woman
approached her, and presented a visiting-card; bearing on it the
name of _Sir Jervis Redwood_. Beneath the name, there was a line
written in pencil: "Mrs. Rook, to wait on Miss Emily Brown." The
way to the new life was open before her at last!

Looking again at the commonplace announcement contained in the
line of writing, she was not quite satisfied. Was it claiming a
deference toward herself, to which she was not entitled, to
expect a letter either from Sir Jervis, or from Miss Redwood;
giving her some information as to the journey which she was about
to undertake, and expressing with some little politeness the wish
to make her comfortable in her future home? At any rate, her
employer had done her one service: he had reminded her that her
station in life was not what it had been in the days when her
father was living, and when her aunt was in affluent
circumstances.

She looked up from the card. The servant had gone. Alban Morris
was waiting at a little distance--waiting silently until she
noticed him.


CHAPTER VIII.

MASTER AND PUPIL.

Emily's impulse was to avoid the drawing-master for the second
time. The moment afterward, a kinder feeling prevailed. The
farewell interview with Cecilia had left influences which pleaded
for Alban Morris. It was the day of parting good wishes and
general separations: he had only perhaps come to say good-by. She
advanced to offer her hand, when he stopped her by pointing to
Sir Jervis Redwood's card.

"May I say a word, Miss Emily, about that woman?" he asked

"Do you mean Mrs. Rook?"

"Yes. You know, of course, why she comes here?"

"She comes here by appointment, to take me to Sir Jervis
Redwood's house. Are you acquainted with her?"

"She is a perfect stranger to me. I met her by accident on her
way here. If Mrs. Rook had been content with asking me to direct
her to the school, I should not be troubling you at this moment.
But she forced her conversation on me. And she said something
which I think you ought to know. Have you heard of Sir Jervis
Redwood's housekeeper before to-day?"

"I have only heard what my friend--Miss Cecilia Wyvil--has told
me."

"Did Miss Cecilia tell you that Mrs. Rook was acquainted with
your father or with any members of your family?"

"Certainly not!"

Alban reflected. "It was natural enough," he resumed, "that Mrs.
Rook should feel some curiosity about You. What reason had she
for putting a question to me about your father--and putting it in
a very strange manner?"

Emily's interest was instantly excited. She led the way back to
the seats in the shade. "Tell me, Mr. Morris, exactly what the
woman said." As she spoke,
 she signed to him to be seated.

Alban observed the natural grace of her action when she set him
the example of taking a chair, and the little heightening of her
color caused by anxiety to hear what he had still to tell her.
Forgetting the restraint that he had hitherto imposed on himself,
he enjoyed the luxury of silently admiring her. Her manner
betrayed none of the conscious confusion which would have shown
itself, if her heart had been secretly inclined toward him. She
saw the man looking at her. In simple perplexity she looked at
the man.

"Are you hesitating on my account?" she asked. "Did Mrs. Rook say
something of my father which I mustn't hear?"

"No, no! nothing of the sort!"

"You seem to be confused."

Her innocent indifference tried his patience sorely. His memory
went back to the past time--recalled the ill-placed passion of
his youth, and the cruel injury inflicted on him--his pride was
roused. Was he making himself ridiculous? The vehement throbbing
of his heart almost suffocated him. And there she sat, wondering
at his odd behavior. "Even this girl is as cold-blooded as the
rest of her sex!" That angry thought gave him back his
self-control. He made his excuses with the easy politeness of a
man of the world.

"I beg your pardon, Miss Emily; I was considering how to put what
I have to say in the fewest and plainest words. Let me try if I
can do it. If Mrs. Rook had merely asked me whether your father
and mother were living, I should have attributed the question to
the commonplace curiosity of a gossiping woman, and have thought
no more of it. What she actually did say was this: 'Perhaps you
can tell me if Miss Emily's father--' There she checked herself,
and suddenly altered the question in this way: 'If Miss Emily's
_parents_ are living?' I may be making mountains out of
molehills; but I thought at the time (and think still) that she
had some special interest in inquiring after your father, and,
not wishing me to notice it for reasons of her own, changed the
form of the question so as to include your mother. Does this
strike you as a far-fetched conclusion?"

"Whatever it may be," Emily said, "it is my conclusion, too. How
did you answer her?"

"Quite easily. I could give her no information--and I said so."

"Let me offer you the information, Mr. Morris, before we say
anything more. I have lost both my parents."

Alban's momentary outbreak of irritability was at an end. He was
earnest and yet gentle, again; he forgave her for not
understanding how dear and how delightful to him she was. "Will
it distress you," he said, "if I ask how long it is since your
father died?"

"Nearly four years," she replied. "He was the most generous of
men; Mrs. Rook's interest in him may surely have been a grateful
interest. He may have been kind to her in past years--and she may
remember him thankfully. Don't you think so?"

Alban was unable to agree with her. "If Mrs. Rook's interest in
your father was the harmless interest that you have suggested,"
he said, "why should she have checked herself in that
unaccountable manner, when she first asked me if he was living?
The more I think of it now, the less sure I feel that she knows
anything at all of your family history. It may help me to decide,
if you will tell me at what time the death of your mother took
place."

"So long ago," Emily replied, "that I can't even remember her
death. I was an infant at the time."

"And yet Mrs. Rook asked me if your 'parents' were living! One of
two things," Alban concluded. "Either there is some mystery in
this matter, which we cannot hope to penetrate at present--or
Mrs. Rook may have been speaking at random; on the chance of
discovering whether you are related to some 'Mr. Brown' whom she
once knew."

"Besides," Emily added, "it's only fair to remember what a common
family name mine is, and how easily people may make mistakes. I
should like to know if my dear lost father was really in her mind
when she spoke to you. Do you think I could find it out?"

"If Mrs. Rook has any reasons for concealment, I believe you
would have no chance of finding it out--unless, indeed, you could
take her by surprise."

"In what way, Mr. Morris?"

"Only one way occurs to me just now," he said. "Do you happen to
have a miniature or a photograph of your father?"

Emily held out a handsome locket, with a monogram in diamonds,
attached to her watch chain. "I have his photograph here," she
rejoined; "given to me by my dear old aunt, in the days of her
prosperity. Shall I show it to Mrs. Rook?"

"Yes--if she happens, by good luck, to offer you an opportunity."

Impatient to try the experiment, Emily rose as he spoke. "I
mustn't keep Mrs. Rook waiting," she said.

Alban stopped her, on the point of leaving him. The confusion and
hesitation which she had already noticed began to show themselves
in his manner once more.

"Miss Emily, may I ask you a favor before you go? I am only one
of the masters employed in the school; but I don't think--let me
say, I hope I am not guilty of presumption--if I offer to be of
some small service to one of my pupils--"

There his embarrassment mastered him. He despised himself not
only for yielding to his own weakness, but for faltering like a
fool in the expression of a simple request. The next words died
away on his lips.

This time, Emily understood him.

The subtle penetration which had long since led her to the
discovery of his secret--overpowered, thus far, by the absorbing
interest of the moment--now recovered its activity. In an
instant, she remembered that Alban's motive for cautioning her,
in her coming intercourse with Mrs. Rook, was not the merely
friendly motive which might have actuated him, in the case of one
of the other girls. At the same time, her quickness of
apprehension warned her not to risk encouraging this persistent
lover, by betraying any embarrassment on her side. He was
evidently anxious to be present (in her interests) at the
interview with Mrs. Rook. Why not? Could he reproach her with
raising false hope, if she accepted his services, under
circumstances of doubt and difficulty which he had himself been
the first to point out? He could do nothing of the sort. Without
waiting until he had recovered himself, she answered him (to all
appearances) as composedly as if he had spoken to her in the
plainest terms.

"After all that you have told me," she said, "I shall indeed feel
obliged if you will be present when I see Mrs. Rook."

The eager brightening of his eyes, the flush of happiness that
made him look young on a sudden, were signs not to be mistaken.
The sooner they were in the presence of a third person (Emily
privately concluded) the better it might be for both of them. She
led the way rapidly to the house.


CHAPTER IX.

MRS. ROOK AND THE LOCKET.

As mistress of a prosperous school, bearing a widely-extended
reputation, Miss Ladd prided herself on the liberality of her
household arrangements. At breakfast and dinner, not only the
solid comforts but the elegant luxuries of the table, were set
before the young ladies "Other schools may, and no doubt do,
offer to pupils the affectionate care to which they have been
accustomed under the parents' roof," Miss Ladd used to say. "At
my school, that care extends to their meals, and provides them
with a _cuisine_ which, I flatter myself, equals the most
successful efforts of the cooks at home." Fathers, mothers, and
friends, when they paid visits to this excellent lady, brought
away with them the most gratifying recollections of her
hospitality. The men, in particular, seldom failed to recognize
in their hostess the rarest virtue that a single lady can
possess--the virtue of putting wine on the table which may be
gratefully remembered by her guests the next morning.

An agreeable surprise awaited Mrs. Rook when she entered the
house of bountiful Miss Ladd.

Luncheon was ready for Sir Jervis Redwood's confidential emissary
in the waiting-room. Detained at the final rehearsals of music
and recitation, Miss Ladd was worthily represented by cold
chicken and ham, a fruit tart, and a pint decanter of generous
sherry. "Your mistress is a perfect lady!" Mrs. Rook said to the
servant, wi th a burst of enthusiasm. "I can carve for myself,
thank you; and I don't care how long Miss Emily keeps me
waiting."

As they ascended the steps leading into the house, Alban asked
Emily if he might look again at her locket.

"Shall I open it for you?" she suggested.

No: I only want to look at the outside of it."

He examined the side on which the monogram appeared, inlaid with
diamonds. An inscription was engraved beneath.

"May I read it?" he said.

"Certainly!"

The inscription ran thus: "In loving memory of my father. Died
30th September, 1877."

"Can you arrange the locket," Alban asked, "so that the side on
which the diamonds appear hangs outward?"

She understood him. The diamonds might attract Mrs. Rook's
notice; and in that case, she might ask to see the locket of her
own accord. "You are beginning to be of use to me, already,"
Emily said, as they turned into the corridor which led to the
waiting-room.

They found Sir Jervis's housekeeper luxuriously recumbent in the
easiest chair in the room.

Of the eatable part of the lunch some relics were yet left. In
the pint decanter of sherry, not a drop remained. The genial
influence of the wine (hastened by the hot weather) was visible
in Mrs. Rook's flushed face, and in a special development of her
ugly smile. Her widening lips stretched to new lengths; and the
white upper line of her eyeballs were more freely and horribly
visible than ever.

"And this is the dear young lady?" she said, lifting her hands in
over-acted admiration. At the first greetings, Alban perceived
that the impression produced was, in Emily's case as in his case,
instantly unfavorable.

The servant came in to clear the table. Emily stepped aside for a
minute to give some directions about her luggage. In that
interval Mrs. Rook's cunning little eyes turned on Alban with an
expression of malicious scrutiny.

"You were walking the other way," she whispered, "when I met
you." She stopped, and glanced over her shoulder at Emily. "I see
what attraction has brought you back to the school. Steal your
way into that poor little fool's heart; and then make her
miserable for the rest of her life!--No need, miss, to hurry,"
she said, shifting the polite side of her toward Emily, who
returned at the moment. "The visits of the trains to your station
here are like the visits of the angels described by the poet,
'few and far between.' Please excuse the quotation. You wouldn't
think it to look at me--I'm a great reader."

"Is it a long journey to Sir Jervis Redwood's house?" Emily
asked, at a loss what else to say to a woman who was already
becoming unendurable to her.

Mrs. Rook looked at the journey from an oppressively cheerful
point of view.

"Oh, Miss Emily, you shan't feel the time hang heavy in my
company. I can converse on a variety of topics, and if there is
one thing more than another that I like, it's amusing a pretty
young lady. You think me a strange creature, don't you? It's only
my high spirits. Nothing strange about me--unless it's my queer
Christian name. You look a little dull, my dear. Shall I begin
amusing you before we are on the railway? Shall I tell you how I
came by my queer name?"

Thus far, Alban had controlled himself. This last specimen of the
housekeeper's audacious familiarity reached the limits of his
endurance.

"We don't care to know how you came by your name," he said.

"Rude," Mrs. Rook remarked, composedly. "But nothing surprises
me, coming from a man."

She turned to Emily. "My father and mother were a wicked married
couple," she continued, "before I was born. They 'got religion,'
as the saying is, at a Methodist meeting in a field. When I came
into the world--I don't know how you feel, miss; I protest
against being brought into the world without asking my leave
first--my mother was determined to dedicate me to piety, before I
was out of my long clothes. What name do you suppose she had me
christened by? She chose it, or made it, herself--the name of
'Righteous'! Righteous Rook! Was there ever a poor baby degraded
by such a ridiculous name before? It's needless to say, when I
write letters, I sign R. Rook--and leave people to think it's
Rosamond, or Rosabelle, or something sweetly pretty of that kind.
You should have seen my husband's face when he first heard that
his sweetheart's name was 'Righteous'! He was on the point of
kissing me, and he stopped. I daresay he felt sick. Perfectly
natural under the circumstances."

Alban tried to stop her again. "What time does the train go?" he
asked.

Emily entreated him to restrain himself, by a look. Mrs. Rook was
still too inveterately amiable to take offense. She opened her
traveling-bag briskly, and placed a railway guide in Alban's
hands.

"I've heard that the women do the men's work in foreign parts,"
she said. "But this is England; and I am an Englishwoman. Find
out when the train goes, my dear sir, for yourself."

Alban at once consulted the guide. If there proved to be no
immediate need of starting for the station, he was determined
that Emily should not be condemned to pass the interval in the
housekeeper's company. In the meantime, Mrs. Rook was as eager as
ever to show her dear young lady what an amusing companion she
could be.

"Talking of husbands," she resumed, "don't make the mistake, my
dear, that I committed. Beware of letting anybody persuade you to
marry an old man. Mr. Rook is old enough to be my father. I bear
with him. Of course, I bear with him. At the same time, I have
not (as the poet says) 'passed through the ordeal unscathed.' My
spirit--I have long since ceased to believe in anything of the
sort: I only use the word for want of a better--my spirit, I say,
has become embittered. I was once a pious young woman; I do
assure you I was nearly as good as my name. Don't let me shock
you; I have lost faith and hope; I have become--what's the last
new name for a free-thinker? Oh, I keep up with the times, thanks
to old Miss Redwood! She takes in the newspapers, and makes me
read them to her. What _is_ the new name? Something ending in ic.
Bombastic? No, Agnostic?--that's it! I have become an Agnostic.
The inevitable result of marrying an old man; if there's any
blame it rests on my husband."

"There's more than an hour yet before the train starts," Alban
interposed. "I am sure, Miss Emily, you would find it pleasanter
to wait in the garden."

"Not at all a bad notion," Mrs. Rook declared. "Here's a man who
can make himself useful, for once. Let's go into the garden."

She rose, and led the way to the door. Alban seized the
opportunity of whispering to Emily.

"Did you notice the empty decanter, when we first came in? That
horrid woman is drunk."

Emily pointed significantly to the locket. "Don't let her go. The
garden will distract her attention: keep her near me here."

Mrs. Rook gayly opened the door. "Take me to the flower-beds,"
she said. "I believe in nothing--but I adore flowers."

Mrs. Rook waited at the door, with her eye on Emily. "What do
_you_ say, miss?"

"I think we shall be more comfortable if we stay where we are."

"Whatever pleases you, my dear, pleases me." With this reply, the
compliant housekeeper--as amiable as ever on the
surface--returned to her chair.

Would she notice the locket as she sat down? Emily turned toward
the window, so as to let the light fall on the diamonds.

No: Mrs. Rook was absorbed, at the moment, in her own
reflections. Miss Emily, having prevented her from seeing the
garden, she was maliciously bent on disappointing Miss Emily in
return. Sir Jervis's secretary (being young) took a hopeful view
no doubt of her future prospects. Mrs. Rook decided on darkening
that view in a mischievously-suggestive manner, peculiar to
herself.

"You will naturally feel some curiosity about your new home," she
began, "and I haven't said a word about it yet. How very
thoughtless of me! Inside and out, dear Miss Emily, our house is
just a little dull. I say _our_ house, and why not--when the
management of it is all thrown on me. We are built of stone; and
we are much too long, and are not half high enough. Our situation
is on the coldest side of the county, away in the west. We are
close to the Cheviot hills; and if you fancy there is anything to
see when you look out of window, except sheep, you will find
yourself woefully mistaken. As for walks, if you go out on one
side of the house you may, or may not, be gored by cattle. On the
other side, if the darkness overtakes you, you may, or may not,
tumble down a deserted lead mine. But the company, inside the
house, makes amends for it all," Mrs. Rook proceeded, enjoying
the expression of dismay which was beginning to show itself on
Emily's face. "Plenty of excitement for you, my dear, in our
small family. Sir Jervis will introduce you to plaster casts of
hideous Indian idols; he will keep you writing for him, without
mercy, from morning to night; and when he does let you go, old
Miss Redwood will find she can't sleep, and will send for the
pretty young lady-secretary to read to her. My husband I am sure
you will like. He is a respectable man, and bears the highest
character. Next to the idols, he's the most hideous object in the
house. If you are good enough to encourage him, I don't say that
he won't amuse you; he will tell you, for instance, he never in
his life hated any human being as he hates his wife. By the way,
I must not forget--in the interests of truth, you know--to
mention one drawback that does exist in our domestic circle. One
of these days we shall have our brains blown out or our throats
cut. Sir Jervis's mother left him ten thousand pounds' worth of
precious stones all contained in a little cabinet with drawers.
He won't let the banker take care of his jewels; he won't sell
them; he won't even wear one of the rings on his finger, or one
of the pins at his breast. He keeps his cabinet on his
dressing-room table; and he says, 'I like to gloat over my
jewels, every night, before I go to bed.' Ten thousand pounds'
worth of diamonds, rubies, emeralds, sapphires, and what not--at
the mercy of the first robber who happens to hear of them. Oh, my
dear, he would have no choice, I do assure you, but to use his
pistols. We shouldn't quietly submit to be robbed. Sir Jervis
inherits the spirit of his ancestors. My husband has the temper
of a game cock. I myself, in defense of the property of my
employers, am capable of becoming a perfect fiend. And we none of
us understand the use of firearms!"

While she was in full enjoyment of this last aggravation of the
horrors of the prospect, Emily tried another change of
position--and, this time, with success. Greedy admiration
suddenly opened Mrs. Rook's little eyes to their utmost width.
"My heart alive, miss, what do I see at your watch-chain? How
they sparkle! Might I ask for a closer view?"

Emily's fingers trembled; but she succeeded in detaching the
locket from the chain. Alban handed it to Mrs. Rook.

She began by admiring the diamonds--with a certain reserve.
"Nothing like so large as Sir Jervis's diamonds; but choice
specimens no doubt. Might I ask what the value--?"

She stopped. The inscription had attracted her notice: she began
to read it aloud: "In loving memory of my father. Died--"

Her face instantly became rigid. The next words were suspended on
her lips.

Alban seized the chance of making her betray herself--under
pretense of helping her. "Perhaps you find the figures not easy
to read," he said. "The date is 'thirtieth September, eighteen
hundred and seventy-seven'--nearly four years since."

Not a word, not a movement, escaped Mrs. Rook. She held the
locket before her as she had held it from the first. Alban looked
at Emily. Her eyes were riveted on the housekeeper: she was
barely capable of preserving the appearance of composure. Seeing
the necessity of acting for her, he at once said the words which
she was unable to say for herself.

"Perhaps, Mrs. Rook, you would like to look at the portrait?" he
suggested. "Shall I open the locket for you?"

Without speaking, without looking up, she handed the locket to
Alban.

He opened it, and offered it to her. She neither accepted nor
refused it: her hands remained hanging over the arms of the
chair. He put the locket on her lap.

The portrait produced no marked effect on Mrs. Rook. Had the date
prepared her to see it? She sat looking at it--still without
moving: still without saying a word. Alban had no mercy on her.
"That is the portrait of Miss Emily's father," he said. "Does it
represent the same Mr. Brown whom you had in your mind when you
asked me if Miss Emily's father was still living?"

That question roused her. She looked up, on the instant; she
answered loudly and insolently: 'No!"

"And yet," Alban persisted, "you broke down in reading the
inscription: and considering what talkative woman you are, the
portrait has had a strange effect on you--to say the least of
it."

She eyed him steadily while he was speaking--and turned to Emily
when he had done. "You mentioned the heat just now, miss. The
heat has overcome me; I shall soon get right again."

The insolent futility of that excuse irritated Emily into
answering her. "You will get right again perhaps all the sooner,"
she said, "if we trouble you with no more questions, and leave
you to recover by yourself."

The first change of expression which relaxed the iron tensity of
the housekeeper's face showed itself when she heard that reply.
At last there was a feeling in Mrs. Rook which openly declared
itself--a feeling of impatience to see Alban and Emily leave the
room.

They left her, without a word more.


CHAPTER X.

GUESSES AT THE TRUTH.

"What are we to do next? Oh, Mr. Morris, you must have seen all
sorts of people in your time--you know human nature, and I don't.
Help me with a word of advice!"

Emily forgot that he was in love with her--forgot everything, but
the effect produced by the locket on Mrs. Rook, and the vaguely
alarming conclusion to which it pointed. In the fervor of her
anxiety she took Alban's arm as familiarly as if he had been her
brother. He was gentle, he was considerate; he tried earnestly to
compose her. "We can do nothing to any good purpose," be said,
"unless we begin by thinking quietly. Pardon me for saying
so--you are needlessly exciting yourself."

There was a reason for her excitement, of which he was
necessarily ignorant. Her memory of the night interview with Miss
Jethro had inevitably intensified the suspicion inspired by the
conduct of Mrs. Rook. In less than twenty-four hours, Emily had
seen two women shrinking from secret remembrances of her
father--which might well be guilty remembrances--innocently
excited by herself! How had they injured him? Of what infamy, on
their parts, did his beloved and stainless memory remind them?
Who could fathom the mystery of it? "What does it mean?" she
cried, looking wildly in Alban's compassionate face. "You _must_
have formed some idea of your own. What does it mean?"

"Come, and sit down, Miss Emily. We will try if we can find out
what it means, together."

They returned to the shady solitude under the trees. Away, in
front of the house, the distant grating of carriage wheels told
of the arrival of Miss Ladd's guests, and of the speedy beginning
of the ceremonies of the day.

"We must help each other," Alban resumed.

"When we first spoke of Mrs. Rook, you mentioned Miss Cecilia
Wyvil as a person who knew something about her. Have you any
objection to tell me what you may have heard in that way?"

In complying with his request Emily necessarily repeated what
Cecilia had told Francine, when the two girls had met that
morning in the garden.

Alban now knew how Emily had obtained employment as Sir Jervis's
secretary; how Mr. and Mrs. Rook had been previously known to
Cecilia's father as respectable people keeping an inn in his own
neighborhood; and, finally, how they had been obliged to begin
life again in domestic service, because the terrible event of a
murder had given the inn a bad name, and had driven away the
customers on whose encouragement their business depended.

Listening in silence, Alban remained silent when Emily's
narrative had come to an end.

"Have you nothing to say to me?" she asked.

"I am thinking over what I have just heard," he answered.

Emily noticed a certain formality in his tone and manner, which
disagreeably surprised her. He
 seemed to have made his reply as a mere concession to
politeness, while he was thinking of something else which really
interested him.

"Have I disappointed you in any way?" she asked.

"On the contrary, you have interested me. I want to be quite sure
that I remember exactly what you have said. You mentioned, I
think, that your friendship with Miss Cecilia Wyvil began here,
at the school?"

"Yes."

"And in speaking of the murder at the village inn, you told me
that the crime was committed--I have forgotten how long ago?"

His manner still suggested that he was idly talking about what
she had told him, while some more important subject for
reflection was in possession of his mind.

"I don't know that I said anything about the time that had passed
since the crime was committed," she answered, sharply. "What does
the murder matter to _us?_ I think Cecilia told me it happened
about four years since. Excuse me for noticing it, Mr.
Morris--you seem to have some interests of your own to occupy
your attention. Why couldn't you say so plainly when we came out
here? I should not have asked you to help me, in that case. Since
my poor father's death, I have been used to fight through my
troubles by myself."

She rose, and looked at him proudly. The next moment her eyes
filled with tears.

In spite of her resistance, Alban took her hand. "Dear Miss
Emily," he said, "you distress me: you have not done me justice.
Your interests only are in my mind."

Answering her in those terms, he had not spoken as frankly as
usual. He had only told her a part of the truth.

Hearing that the woman whom they had just left had been landlady
of an inn, and that a murder had been committed under her roof,
he was led to ask himself if any explanation might be found, in
these circumstances, of the otherwise incomprehensible effect
produced on Mrs. Rook by the inscription on the locket.

In the pursuit of this inquiry there had arisen in his mind a
monstrous suspicion, which pointed to Mrs. Rook. It impelled him
to ascertain the date at which the murder had been committed, and
(if the discovery encouraged further investigation) to find out
next the manner in which Mr. Brown had died.

Thus far, what progress had he made? He had discovered that the
date of Mr. Brown's death, inscribed on the locket, and the date
of the crime committed at the inn, approached each other nearly
enough to justify further investigation.

In the meantime, had he succeeded in keeping his object concealed
from Emily? He had perfectly succeeded. Hearing him declare that
her interests only had occupied his mind, the poor girl
innocently entreated him to forgive her little outbreak of
temper. "If you have any more questions to ask me, Mr. Morris,
pray go on. I promise never to think unjustly of you again."

He went on with an uneasy conscience--for it seemed cruel to
deceive her, even in the interests of truth--but still he went
on.

"Suppose we assume that this woman had injured your father in
some way," he said. "Am I right in believing that it was in his
character to forgive injuries?"

"Entirely right."

"In that case, his death may have left Mrs. Rook in a position to
be called to account, by those who owe a duty to his memory--I
mean the surviving members of his family."

"There are but two of us, Mr. Morris. My aunt and myself."

"There are his executors."

"My aunt is his only executor."

"Your father's sister--I presume?"

"Yes."

"He may have left instructions with her, which might be of the
greatest use to us."

"I will write to-day, and find out," Emily replied. "I had
already planned to consult my aunt," she added, thinking again of
Miss Jethro.

"If your aunt has not received any positive instructions," Alban
continued, "she may remember some allusion to Mrs. Rook, on your
father's part, at the time of his last illness--"

Emily stopped him. "You don't know how my dear father died," she
said. "He was struck down--apparently in perfect health--by
disease of the heart."

"Struck down in his own house?"

"Yes--in his own house."

Those words closed Alban's lips. The investigation so carefully
and so delicately conducted had failed to serve any useful
purpose. He had now ascertained the manner of Mr. Brown's death
and the place of Mr. Brown's death--and he was as far from
confirming his suspicions of Mrs. Rook as ever.


CHAPTER XI.

THE DRAWING-MASTER'S CONFESSION.

"Is there nothing else you can suggest?" Emily asked.

"Nothing--at present."

"If my aunt fails us, have we no other hope?"

"I have hope in Mrs. Rook," Alban answered. "I see I surprise
you; but I really mean what I say. Sir Jervis's housekeeper is an
excitable woman, and she is fond of wine. There is always a weak
side in the character of such a person as that. If we wait for
our chance, and turn it to the right use when it comes, we may
yet succeed in making her betray herself."

Emily listened to him in bewilderment.

"You talk as if I was sure of your help in the future," she said.
"Have you forgotten that I leave school to-day, never to return?
In half an hour more, I shall be condemned to a long journey in
the company of that horrible creature--with a life to look
forward to, in the same house with her, among strangers! A
miserable prospect, and a hard trial of a girl's courage--is it
not, Mr. Morris?"

"You will at least have one person, Miss Emily, who will try with
all his heart and soul to encourage you."

"What do you mean?"

"I mean," said Alban, quietly, "that the Midsummer vacation
begins to-day; and that the drawing-master is going to spend his
holidays in the North."

Emily jumped up from her chair. "You!" she exclaimed. "_You_ are
going to Northumberland? With me?"

"Why not?" Alban asked. "The railway is open to all travelers
alike, if they have money enough to buy a ticket."

"Mr. Morris! what _can_ you be thinking of? Indeed, indeed, I am
not ungrateful. I know you mean kindly--you are a good, generous
man. But do remember how completely a girl, in my position, is at
the mercy of appearances. You, traveling in the same carriage
with me! and that woman putting her own vile interpretation on
it, and degrading me in Sir Jervis Redwood's estimation, on the
day when I enter his house! Oh, it's worse than thoughtless--it's
madness, downright madness."

"You are quite right," Alban gravely agreed, "it _is_ madness. I
lost whatever little reason I once possessed, Miss Emily, on the
day when I first met you out walking with the young ladies of the
school."

Emily turned away in significant silence. Alban followed her.

"You promised just now," he said, "never to think unjustly of me
again. I respect and admire you far too sincerely to take a base
advantage of this occasion--the only occasion on which I have
been permitted to speak with you alone. Wait a little before you
condemn a man whom you don't understand. I will say nothing to
annoy you--I only ask leave to explain myself. Will you take your
chair again?"

She returned unwillingly to her seat. "It can only end," she
thought, sadly, "in my disappointing him!"

"I have had the worst possible opinion of women for years past,"
Alban resumed; "and the only reason I can give for it condemns me
out of my own mouth. I have been infamously treated by one woman;
and my wounded self-esteem has meanly revenged itself by reviling
the whole sex. Wait a little, Miss Emily. My fault has received
its fit punishment. I have been thoroughly humiliated--and _you_
have done it."

"Mr. Morris!"

"Take no offense, pray, where no offense is meant. Some few years
since it was the great misfortune of my life to meet with a Jilt.
You know what I mean?"

"Yes."

"She was my equal by birth (I am a younger son of a country
squire), and my superior in rank. I can honestly tell you that I
was fool enough to love her with all my heart and soul. She never
allowed me to doubt--I may say this without conceit, remembering
the miserable end of it--that my feeling for her was returned.
Her father and mother (excellent people) approved of the
contemplated marriage. She accepted my presents; she allowed all
the customary preparations for a wedding to proceed to
completion; she had not even mercy en ough, or shame enough, to
prevent me from publicly degrading myself by waiting for her at
the altar, in the presence of a large congregation. The minutes
passed--and no bride appeared. The clergyman, waiting like me,
was requested to return to the vestry. I was invited to follow
him. You foresee the end of the story, of course? She had run
away with another man. But can you guess who the man was? Her
groom!"

Emily's face reddened with indignation. "She suffered for it? Oh,
Mr. Morris, surely she suffered for it?"

"Not at all. She had money enough to reward the groom for
marrying her; and she let herself down easily to her husband's
level. It was a suitable marriage in every respect. When I last
heard of them, they were regularly in the habit of getting drunk
together. I am afraid I have disgusted you? We will drop the
subject, and resume my precious autobiography at a later date.
One showery day in the autumn of last year, you young ladies went
out with Miss Ladd for a walk. When you were all trotting back
again, under your umbrellas, did you (in particular) notice an
ill-tempered fellow standing in the road, and getting a good look
at you, on the high footpath above him?"

Emily smiled, in spite of herself. "I don't remember it," she
said.

"You wore a brown jacket which fitted you as if you had been born
in it--and you had the smartest little straw hat I ever saw on a
woman's head. It was the first time I ever noticed such things. I
think I could paint a portrait of the boots you wore (mud
included), from memory alone. That was the impression you
produced on me. After believing, honestly believing, that love
was one of the lost illusions of my life--after feeling, honestly
feeling, that I would as soon look at the devil as look at a
woman--there was the state of mind to which retribution had
reduced me; using for his instrument Miss Emily Brown. Oh, don't
be afraid of what I may say next! In your presence, and out of
your presence, I am man enough to be ashamed of my own folly. I
am resisting your influence over me at this moment, with the
strongest of all resolutions--the resolution of despair. Let's
look at the humorous side of the story again. What do you think I
did when the regiment of young ladies had passed by me?"

Emily declined to guess.

"I followed you back to the school; and, on pretense of having a
daughter to educate, I got one of Miss Ladd's prospectuses from
the porter at the lodge gate. I was in your neighborhood, you
must know, on a sketching tour. I went back to my inn, and
seriously considered what had happened to me. The result of my
cogitations was that I went abroad. Only for a change--not at all
because I was trying to weaken the impression you had produced on
me! After a while I returned to England. Only because I was tired
of traveling--not at all because your influence drew me back!
Another interval passed; and luck turned my way, for a wonder.
The drawing-master's place became vacant here. Miss Ladd
advertised; I produced my testimonials; and took the situation.
Only because the salary was a welcome certainty to a poor
man--not at all because the new position brought me into personal
association with Miss Emily Brown! Do you begin to see why I have
troubled you with all this talk about myself? Apply the
contemptible system of self-delusion which my confession has
revealed, to that holiday arrangement for a tour in the north
which has astonished and annoyed you. I am going to travel this
afternoon by your train. Only because I feel an intelligent
longing to see the northernmost county of England--not at all
because I won't let you trust yourself alone with Mrs. Rook! Not
at all because I won't leave you to enter Sir Jervis Redwood's
service without a friend within reach in case you want him! Mad?
Oh, yes--perfectly mad. But, tell me this: What do all sensible
people do when they find themselves in the company of a lunatic?
They humor him. Let me take your ticket and see your luggage
labeled: I only ask leave to be your traveling servant. If you
are proud--I shall like you all the better, if you are--pay me
wages, and keep me in my proper place in that way.

Some girls, addressed with this reckless intermingling of jest
and earnest, would have felt confused, and some would have felt
flattered. With a good-tempered resolution, which never passed
the limits of modesty and refinement, Emily met Alban Morris on
his own ground.

"You have said you respect me," she began; "I am going to prove
that I believe you. The least I can do is not to misinterpret
you, on my side. Am I to understand, Mr. Morris--you won't think
the worse of me, I hope, if I speak plainly--am I to understand
that you are in love with me?"

"Yes, Miss Emily--if you please."

He had answered with the quaint gravity which was peculiar to
him; but he was already conscious of a sense of discouragement.
Her composure was a bad sign--from his point of view.

"My time will come, I daresay," she proceeded. "At present I know
nothing of love, by experience; I only know what some of my
schoolfellows talk about in secret. Judging by what they tell me,
a girl blushes when her lover pleads with her to favor his
addresses. Am I blushing?"

"Must I speak plainly, too?" Alban asked.

"If you have no objection," she answered, as composedly as if she
had been addressing her grandfather.

"Then, Miss Emily, I must say--you are not blushing."

She went on. "Another token of love--as I am informed--is to
tremble. Am I trembling?"

"No."

"Am I too confused to look at you?"

"No."

"Do I walk away with dignity--and then stop, and steal a timid
glance at my lover, over my shoulder?"

"I wish you did!"

"A plain answer, Mr. Morris! Yes or No."

"No--of course."

"In one last word, do I give you any sort of encouragement to try
again?"

"In one last word, I have made a fool of myself--and you have
taken the kindest possible way of telling me so."

This time, she made no attempt to reply in his own tone. The
good-humored gayety of her manner disappeared. She was in
earnest--truly, sadly in earnest--when she said her next words.

"Is it not best, in your own interests, that we should bid each
other good-by?" she asked. "In the time to come--when you only
remember how kind you once were to me--we may look forward to
meeting again. After all that you have suffered, so bitterly and
so undeservedly, don't, pray don't, make me feel that another
woman has behaved cruelly to you, and that I--so grieved to
distress you--am that heartless creature!"

Never in her life had she been so irresistibly charming as she
was at that moment. Her sweet nature showed all its innocent pity
for him in her face.

He saw it--he felt it--he was not unworthy of it. In silence, he
lifted her hand to his lips. He turned pale as he kissed it.

"Say that you agree with me?" she pleaded.

"I obey you."

As he answered, he pointed to the lawn at their feet. "Look," he
said, "at that dead leaf which the air is wafting over the grass.
Is it possible that such sympathy as you feel for Me, such love
as I feel for You, can waste, wither, and fall to the ground like
that leaf? I leave you, Emily--with the firm conviction that
there is a time of fulfillment to come in our two lives. Happen
what may in the interval--I trust the future."



The words had barely passed his lips when the voice of one of the
servants reached them from the house. "Miss Emily, are you in the
garden?"

Emily stepped out into the sunshine. The servant hurried to meet
her, and placed a telegram in her hand. She looked at it with a
sudden misgiving. In her small experience, a telegram was
associated with the communication of bad news. She conquered her
hesitation--opened it--read it. The color left her face: she
shuddered. The telegram dropped on the grass.

"Read it," she said, faintly, as Alban picked it up.

He read these words: "Come to London directly. Miss Letitia is
dangerously ill."

"Your aunt?" he asked.

"Yes--my aunt."


BOOK THE SECOND--IN LONDON.

CHAPTER XII.

MRS. ELLMOTHER.

The metropolis of Great Britain is, in certain respects, like no
other metropolis on the face of the earth. In the population that
throngs the st reets, the extremes of Wealth and the extremes of
Poverty meet, as they meet nowhere else. In the streets
themselves, the glory and the shame of architecture--the mansion
and the hovel--are neighbors in situation, as they are neighbors
nowhere else. London, in its social aspect, is the city of
contrasts.

Toward the close of evening Emily left the railway terminus for
the place of residence in which loss of fortune had compelled her
aunt to take refuge. As she approached her destination, the cab
passed--by merely crossing a road--from a spacious and beautiful
Park, with its surrounding houses topped by statues and cupolas,
to a row of cottages, hard by a stinking ditch miscalled a canal.
The city of contrasts: north and south, east and west, the city
of social contrasts.

Emily stopped the cab before the garden gate of a cottage, at the
further end of the row. The bell was answered by the one servant
now in her aunt's employ--Miss Letitia's maid.

Personally, this good creature was one of the ill-fated women
whose appearance suggests that Nature intended to make men of
them and altered her mind at the last moment. Miss Letitia's maid
was tall and gaunt and awkward. The first impression produced by
her face was an impression of bones. They rose high on her
forehead; they projected on her cheeks; and they reached their
boldest development in her jaws. In the cavernous eyes of this
unfortunate person rigid obstinacy and rigid goodness looked out
together, with equal severity, on all her fellow-creatures alike.
Her mistress (whom she had served for a quarter of a century and
more) called her "Bony." She accepted this cruelly appropriate
nick-name as a mark of affectionate familiarity which honored a
servant. No other person was allowed to take liberties with her:
to every one but her mistress she was known as Mrs. Ellmother.

"How is my aunt?" Emily asked.

"Bad."

"Why have I not heard of her illness before?"

"Because she's too fond of you to let you be distressed about
her. 'Don't tell Emily'; those were her orders, as long as she
kept her senses."

"Kept her senses? Good heavens! what do you mean?"

"Fever--that's what I mean."

"I must see her directly; I am not afraid of infection."

"There's no infection to be afraid of. But you mustn't see her,
for all that."

"I insist on seeing her."

"Miss Emily, I am disappointing you for your own good. Don't you
know me well enough to trust me by this time?"

"I do trust you."

"Then leave my mistress to me--and go and make yourself
comfortable in your own room."

Emily's answer was a positive refusal. Mrs. Ellmother, driven to
her last resources, raised a new obstacle.

"It's not to be done, I tell you! How can you see Miss Letitia
when she can't bear the light in her room? Do you know what color
her eyes are? Red, poor soul--red as a boiled lobster."

With every word the woman uttered, Emily's perplexity and
distress increased.

"You told me my aunt's illness was fever," she said--"and now you
speak of some complaint in her eyes. Stand out of the way, if you
please, and let me go to her."

Mrs. Ellmother, still keeping her place, looked through the open
door.

"Here's the doctor," she announced. "It seems I can't satisfy
you; ask him what's the matter. Come in, doctor." She threw open
the door of the parlor, and introduced Emily. "This is the
mistress's niece, sir. Please try if _you_ can keep her quiet. I
can't." She placed chairs with the hospitable politeness of the
old school--and returned to her post at Miss Letitia's bedside.

Doctor Allday was an elderly man, with a cool manner and a ruddy
complexion--thoroughly acclimatized to the atmosphere of pain and
grief in which it was his destiny to live. He spoke to Emily
(without any undue familiarity) as if he had been accustomed to
see her for the greater part of her life.